Faulkner

 

Oscar nominations 

 

Best Picture

“The Father” (Sony Pictures Classics) 

“Judas and the Black Messiah” (Warner Bros.) 

“Mank” (Netflix) 

“Minari” (A24) 

“Nomadland” (Searchlight Pictures) 

“Promising Young Woman” (Focus Features) 

“Sound of Metal” (Amazon Studios) 

“The Trial of the Chicago 7” (Netflix) 

Best Director

Thomas Vinterberg (“Another Round”)

David Fincher (“Mank”) 

Lee Isaac Chung (“Minari”) 

Chloé Zhao (“Nomadland”) 

Emerald Fennell (“Promising Young Woman”) 

Best Actor in a Leading Role

Riz Ahmed (“Sound of Metal”) 

Chadwick Boseman (“Ma Rainey’s Black Bottom”) 

Anthony Hopkins (“The Father”) 

Gary Oldman (“Mank”) 

Steven Yeun (“Minari”) 

 

Best Actress in a Leading Role

Viola Davis (“Ma Rainey’s Black Bottom”) 

Andra Day (“The United States v. Billie Holiday”) 

Vanessa Kirby (“Pieces of a Woman”) 

Frances McDormand (“Nomadland”) 

Carey Mulligan (“Promising Young Woman”) 

Best Actor in a Supporting Role

Sacha Baron Cohen (“The Trial of the Chicago 7”) 

Daniel Kaluuya (“Judas and the Black Messiah”) 

Leslie Odom Jr. (“One Night in Miami”) 

Paul Raci (“Sound of Metal”) 

Lakeith Stanfield (“Judas and the Black Messiah”)

Best Actress in a Supporting Role

Maria Bakalova (‘Borat Subsequent Moviefilm”) 

Glenn Close (“Hillbilly Elegy”) 

Olivia Colman (“The Father”) 

Amanda Seyfried (“Mank”) 

Yuh-jung Youn (“Minari”) 

Best Animated Feature Film

“Onward” (Pixar) 

“Over the Moon” (Netflix) 

“A Shaun the Sheep Movie: Farmageddon” (Netflix) 

“Soul” (Pixar) 

“Wolfwalkers” (Apple TV Plus/GKIDS) 

Best Adapted Screenplay

“Borat Subsequent Moviefilm,” Peter Baynham, Sacha Baron Cohen, Jena Friedman, Anthony Hines, Lee Kern, Dan Mazer, Nina Pedrad, Erica Rivinoja, Dan Swimer 

“The Father,” Christopher Hampton, Florian Zeller 

“Nomadland,” Chloé Zhao 

“One Night in Miami,” Kemp Powers 

“The White Tiger,” Ramin Bahrani 

Best Original Screenplay

“Judas and the Black Messiah,” Will Berson, Shaka King, Keith Lucas, Kenneth Lucas 

“Minari,” Lee Isaac Chung 

“Promising Young Woman,” Emerald Fennell 

“Sound of Metal,” Abraham Marder, Darius Marder, Derek Cianfrance 

“The Trial of the Chicago 7,” Aaron Sorkin 

Best Original Song

“Fight for You,” (“Judas and the Black Messiah”) 

“Hear My Voice,” (“The Trial of the Chicago 7”) 

“Húsavík,” (“Eurovision Song Contest”) 

“Io Si (Seen),” (“The Life Ahead”) 

“Speak Now,” (“One Night in Miami”) 

Best Original Score

“Da 5 Bloods,” Terence Blanchard 

“Mank,” Trent Reznor, Atticus Ross 

“Minari,” Emile Mosseri 

“News of the World,” James Newton Howard 

“Soul,” Trent Reznor, Atticus Ross, Jon Batiste 

Best Sound

“Greyhound,” Odin Benitez, Jason King, Christian P. Minkler, Michael Minkler, Jeff Sawyer 

“Mank,” Ren Klyce, Jeremy Molod, David Parker, Nathan Nance, Drew Kunin 

“News of the World,” John Pritchett, Mike Prestwood Smith, William Miller, Oliver Tarney, Michael Fentum 

“Soul,” Coya Elliott, Ren Klyce, David Parker, Vince Caro 

“Sound of Metal,” Phillip Bladh, Nicolas Becker, Jaime Baksht, Michelle Couttolenc, Carlos Cortés, Carolina Santana 

Best Costume Design

“Emma,” Alexandra Byrne 

“Mank,” Trish Summerville 

“Ma Rainey’s Black Bottom,” Ann Roth 

“Mulan,” Bina Daigeler 

“Pinocchio,” Massimo Cantini Parrini

Best Animated Short Film

“Burrow” (Disney Plus/Pixar)

“Genius Loci” (Kazak Productions) 

“If Anything Happens I Love You” (Netflix) 

“Opera” (Beasts and Natives Alike) 

“Yes-People” (CAOZ hf. Hólamói) 

Best Live Action Short Film

“Feeling Through” 

“The Letter Room” 

“The Present” 

“Two Distant Strangers” 

“White Eye” 

Best Cinematography

“Judas and the Black Messiah,” Sean Bobbitt 

“Mank,” Erik Messerschmidt 

“News of the World,” Dariusz Wolski 

“Nomadland,” Joshua James Richards 

“The Trial of the Chicago 7,” Phedon Papamichael 

Best Documentary Feature

“Collective” (Magnolia Pictures and Participant) 

“Crip Camp” (Netflix) 

“The Mole Agent” (Gravitas Ventures) 

“My Octopus Teacher” (Netflix) 

“Time” (Amazon Studios) 

Best Documentary Short Subject

“Colette” (Time Travel Unlimited) 

“A Concerto Is a Conversation” (Breakwater Studios) 

“Do Not Split” (Field of Vision) 

“Hunger Ward” (MTV Documentary Films)

“A Love Song for Latasha” (Netflix) 

Best Film Editing

“The Father,” Yorgos Lamprinos

“Nomadland,” Chloé Zhao 

“Promising Young Woman,” Frédéric Thoraval 

“Sound of Metal,” Mikkel E.G. Nielsen 

“The Trial of the Chicago 7,” Alan Baumgarten 

Best International Feature Film

“Another Round” (Denmark) 

“Better Days” (Hong Kong)

“Collective” (Romania) 

“The Man Who Sold His Skin” (Tunisia)

“Quo Vadis, Aida?”(Bosnia and Herzegovina) 

Best Makeup and Hairstyling

“Emma,” Marese Langan, Laura Allen, Claudia Stolze

“Hillbilly Elegy,” Eryn Krueger Mekash, Patricia Dehaney, Matthew Mungle 

“Ma Rainey’s Black Bottom,” Sergio Lopez-Rivera, Mia Neal, Jamika Wilson

“Mank,” Kimberley Spiteri, Gigi Williams, Colleen LaBaff

“Pinocchio,” Dalia Colli, Dalia Colli and Francesco Pegoretti

Best Production Design

“The Father,” Peter Francis, Cathy Featherstone 

“Ma Rainey’s Black Bottom,” Mark Ricker, Karen O’Hara, Diana Stoughton 

“Mank,” Donald Graham Burt, Jan Pascale 

“News of the World,” David Crank, Elizabeth Keenan 

“Tenet,” Nathan Crowley, Kathy Lucas 

Best Visual Effects

“Love and Monsters” 

“The Midnight Sky,” Matt Kasmir, Chris Lawrence, Dave Watkins, Max Solomon 

“Mulan,” Sean Faden, Anders Langlands, Seth Maury, Steve Ingram 

“The One and Only Ivan,” Nick Davis, Greg Fisher, Ben Jones, Santiago Colomo Martinez 

“Tenet,” Andrew Jackson, Andrew Lockley, Scott R. Fisher, Mike Chambers 

From China  
 

 

 

On 3/13/2021 at 7:58 AM, cct said:

 

If she does (and I think there's a decent chance), she will take the spot by Chung or Fennel (even though I love PYW)

Ended up with Sorkin missing for Thomas Vinterberg for Another Round (come through international members of the directors’ branch).

 

No Ma Rainey in BP. Lakeith in Supporting!

LMAO at the desperation to make this show happen.

 

 

 

From California  

 

 

After the weak Snatch Game, this week was more fun. 
 

 

12 minutes ago, Soaplovers said:

Chicago was the last season where any sort of deep conversations happened (happened during 9/11)..and I think ratings dropping helped cause the shift.

I think they attempted a return to topicality with the D.C. season (the one with Mike Manning), but the zeitgeist had moved on by that point.

2 minutes ago, I Am A Swede said:

 

Has it really been that long?!  

Then it's definitely about time that someone new breaks that stranglehold they've had on the rankings.

Yeah, it’s a jawdropper of a stat. I think something like 23 different women have been in the Top 2 during the same period (which actually feels low to me, given the constant upheaval in the WTA).

Wow. First non-Big 4 member inside the Top 2 since July 2005 (Hewitt).

 

 

From India  

 

 

 

From Florida  

 

 

 

From Brazil  

 

 

 

From USA  
 

 

 

 

LMAO

 

 

1 hour ago, victoria foxton said:

The BIG paternity reveal with Chase was DULL.

I was sorta gobsmacked at how flat that reveal was. 

@ToupsI’d be curious to see The Talk’s ratings next week, just to see if the Sharon controversy actually sparked a ratings bump.

 

Charlie’s murder feels like a dropped story at this point. Almost doesn’t make sense to move forward with it. Who cares?

One thing that sucks: characters don’t have individual voices, with very few exceptions. Ashland’s dialogue could have easily come from Jack. Very formal, generic businessman. Don’t love the styling for Richard Burgi either. 

From Bangalore, India  

 

 

 

The Thiem-RBA match looked crazy good.

From Florida  

 

 

 

 

Wow, Basilashvili beat Fed. Feels like these guys wanted to pounce. Glad they didn’t simply get intimidated by the “aura” as they did when he returned rusty early in 2017.