Jump to content

RavenWhitney

Members
  • Posts

    2,145
  • Joined

  • Last visited

Posts posted by RavenWhitney

  1. On 12/14/2019 at 7:22 PM, Broderick said:

    Check out the very brief scene from 15:10 to about 17:10, from January 1980, where Henry Slesar takes the huge risk of effectively "spoiling" the entire storyline that he's crafted to last through the entire summer of 1980.    Over an innocuous game of Monopoly while Logan Swift is recovering from the flu, Draper and April discuss April's recent dreams --- she's in the hospital with a new baby named "Julia" (whose name she's unable to explain the origins of), a plaintive train whistle blows, a man appears with silver bracelets, and Draper disappears to some strange and faraway place where April is unable to locate him.  In this brief two minute scene, we are given a preview of Draper's arrest for Margo's murder (though Margo is still alive and well when this scene aired), the train derailment at Grant's Falls, Draper's "abduction" by Dr. Gault and Emily Michaels, and April's subsequent relationship with Logan while Draper is presumed dead.   This is definitely "high stakes spoiling" on Henry Slear's part, but he wraps-up the entire scene in such a vague and mysterious manner that it only leaves you WONDERING instead of truly "spoiling" anything at all.        

     

     

    This post prompted me to go onto youtube and rewatch December 1979. Wow. So good. So fleshed out.  Great dialog for the most part.  Everyone was interconnected. It's easy to forget with the hacks that have been writing soaps since the early 2000s how many creative writers were employed on the soaps. Henry was tops. He had some down moments too but they never lasted long.  I remember hating the main story once Draper was an amnesiac and we had all those long scenes with Emily. But in rewatching the lead up in December I'm blown away by how detailed and pointed every plot turn or line of dialog was. Not even the exchange of Xmas presents was gratuitous. Henry had a story bible and worked through it.  I loved the pace of the episodes around Deborah's kidnapping, the police station scenes.  Nancy's First Amendment storyline. P&G were idiots for firing Henry.  The show needed new sets, maybe some fresh directing and a new script writer or two; but they didn't need hack Lee Sheldon.  Thanks for posting. I'm up to 12/26/79 episode. The acting was so stellar.

  2. Writers not listed who went FICOR in 2008 and are ineligible for the award:  

    Days: Fran Myers, Jean Ford

    YR: Josh Griffith. Also note that Lynn Martin is not on the nomination list but was part of the staff. Did she go ficor in 2008?

     

    Days of Our Lives, Writers: Lorraine Broderick, Ron Carlivati, Joanna Cohen, Carolyn Culliton, Richard Culliton, Rick Draughon, Dave Kreizman, Rebecca McCarty, Ryan Quan, Dave Ryan, Betsy Snyder, Katie Schock; NBC Universal

    General Hospital, Head Writers: Shelly Altman, Christopher Van Etten Associate Head Writers: Anna T. Cascio, Dan O’Connor Writers: Barbara Bloom, Suzanne Flynn, Charlotte Gibson, Lucky Gold, Kate Hall, Elizabeth Korte, Donny Sheldon, Scott Sickles; ABC

    The Young and the Restless, Writers: Amanda L. Beall, Jeff Beldner, Sara Bibel, Matt Clifford, Annie Compton, Christopher Dunn, Sara Endsley, Janice Ferri Esser, Mellinda Hensley, Anne Schoettle, Natalie Minardi Slater, Teresa Zimmerman; CBS

  3. 12 hours ago, watson71 said:

     

    Lemay's last episode was in mid-November, however I don't think Swajeski's episodes started airing until late-November or early-December.   Maybe the writers worked from an outline that had already been written by Lemay.  It has always been stated, but never proven, that Swajeski borrowed heavily from a long term bible that Lemay had written for the show.  If  this is the case, it would be interesting to read it to see how much Swajeski borrowed from it.  The Red Swan mystery was clearly a Swajeski storyline since no one could have predicted the sudden passing of Douglass Watson.

    The Youtube November 1988 credits show that for about three weeks the writers listed were (Barbara Hagstrom, Chris Whitesell, Michael Zazlow and Susan Hufford (breakdowns) and Carolyn Culliton, Peggy Schibi, Roger, Newman, Fran Newman, David Cherrill (script writers). I think Swajeski's shows started in early December just before snowflake ball.  Speaking of Donna, here's a link to an article about where Donna is now:  http://www.delawaretoday.com/Delaware-Today/February-2018/Meet-the-Grand-Dame-of-Delaware-Avenue/

  4. 20 hours ago, Wendy said:

    Joe Mascolo is dead. Ergo? Stefano should be DEAD, too. It's disrespectful. But Ron is a hack, so I expect nothing less from him.

    Isn't Steffie, Steve Johnson? Remember Stephen-O this is Steffie who's probably Steve Johnson. I don't think they'd bring Patch back to do nothing.

  5. The time jump stories mostly suck. Ron doesn't know how to write character developments that prompt story. He could have at least balanced all the plot turns with a few character turns that promote the plot. The Will plot is monumentally stupid including killing off Bonnie..errr I mean Adrienne who had breast cancer. Now that would have been a good character story. Will and Ben in the same cell. DUMB.  Lani and Kristen as nuns. Why? this is high school camp.  

  6. The original, great head writers also had a producer's eye and some were producers.  That doesn't mean great producers are great writers i.e Paul Rauch. But when a head writer can think like a producer they are a strong creative but realistic presence. Nixon, Maryland, Pat Faulken Smith. They told stories that visually and structurally made sense for their show and audience.  Mulcahey is a great script writer. He's not a head writer. He may be a great story contributor too.  

  7. Maybe Brad Bell will take over Y&R as senior exec producer. Keep Morina in place. Drop Griffith as co exec producer and HW. Bring in a new head writer and give Mulcahey story consultant and scripts. Why would the Bells let Mulcahey go; he's the best script writer out there and can contribute to story.  I see Patrick going to Y&R in some capacity for a change of pace after 10 years on BB  He worked with Esser when she went to B&B briefly when Latham was firing all Bell proteges. 

  8. Interesting: just saw a credit crawl for the show in 81 when Lawrence Konner and his wife were head writers. They had five script writers who never wrote for daytime again. One (Mark Rosenthal) went on to great writer success in hollywood alongside Konner..

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy