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RavenWhitney

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Posts posted by RavenWhitney

  1. These numbers should tell execs the maximum audience these shows can hope to attain.  Even as more parts of the country are forced to stay at home, I don't think Days can ever attract more than 2.3 million viewers.  Former viewers know better; it's a low budget sh_t show.  Y&R is the tragedy.  So many loyal former viewers want to return because the show is at least some recognizable shadow of itself.  But with CBS execs forcing the show to write by incompetent committee with depressive Griffith at the helm, don't expect those recently returned viewers to stick around. GH is really in the same boat as Days; former viewers know that head writers Drummer, Varni and Valentini will beat the dead Soprano horse. As long as Carly, Sonny, Jason are at the top of the pyramid former viewers won't return and stick with it (even though parts of the show have been slightly better under O'Connor/Van Etten). B&B is always the same: botox actresses pretending to cry. Either you love watching wax museum characters in action or you don't.

  2. Speaking of Ralph Ellis and Eugenie Hunt. They were prolific (and well respected) soap writers and not only served as headwriters of TD but at SFT twice and other shows. Both were also hired as breakdown writers, script writers and story consultants on various shows.  Eugenie died a few years ago.  

     

     

    https://www.theridgefieldpress.com/past_obituaries/article/Obituary-Gene-H-Ellis-82-actress-and-writer-14003844.php

  3. 4 hours ago, victoria foxton said:

    Yes!

    Interesting. I think she and Cherrill will be gone from credits soon. I know Levin started writing scripts for SFT in spring 1980 when the Corringtons were replaced by Linda Grover/John Porterfield as head writers.  

  4. 44 minutes ago, Dan said:

    Agreed. All three have GL's metaphorical blood on their hands. Along with a host of others. 

    Phelps had some high moments until Nancy Curlee quit due to difficult pregnancy. Nancy's writing talent was unrivaled and Jill didn't dare interfere too much; but once Nancy was gone, Jill decided she was a better head writer and destroyed the show with committee of writers then hired a college professor (Doug Anderson) who knew nothing about writing soaps.  Rauch made the show look amazing and hired some great actors.  Remember CBS interfered with Brown/Estensen's stories and forced their own stories written by Wendy Fishman (including clone Reva which was not a story by Estensen and Brown.).  Rauch also didn't want them fired but P&G overruled him. Rauch didn't want Labine and she was a disaster for the show.  CBS and Proctor & Gamble biz execs destroyed these shows as much as Phelps et. al. 

  5. Casey needed to go; his acting the last year has been horrible. Stiff, mumbling, expressionless or overly dramatic.  Maybe he hated the material as much as we did. He showed some promise during the Theo shooting.  I never understood why they didn't keep writing him as a pot smoking, guitar strumming burn out.  There was lots of material there especially after he found out Jack was a rapist. They turned him into a boring cop turned EMT.  Maybe casey can rest, go to acting class and come back more polished if the show survives another year.  I'll miss his hairy chest and pecs.

  6. 23 hours ago, Toups said:

    Y&R:

    - Lisa de Cazotte last listed as Supervising Producer on January 15

     

     

    - Noel Maxam first listed as Supervising Producer on January 16

     

     

     

     

    Nice to see Noel back at Y&R fulltime (I think), but he should be directing.   However, if Morina gets fired, hopefully Noel will be promoted to EP. 

    Noel updated his Linkedin profile to show that he was only interim supervisory producer for three months from November to Jan

  7. 18 hours ago, glfaninnyc said:

    Two   new writers credited on today’s GH. CJ Hoke was the breakdown writer and Lisa Seidman wrote the script.

    Seidman has been around soaps forever. 

    CJ Hoke has been GH script coordinator since 2015, guess budget requires hiring the entry level folks.  

    Here's CJ's bio
    https://www.cjhoke.com

    She also has a linked in profile where she lists "freelance breakdown writer" since Oct 2019 and lists four episode numbers she's written to date all airing in 2020. I guess  yesterday's script was No. 14465 and her fourth script is No. 14510 which should air on March 16th.

    https://www.linkedin.com/search/results/all/?keywords=ABC Daytime&lipi=urn%3Ali%3Apage%3Ad_flagship3_profile_view_base%3B4bI%2Bpw8jTzWhJjRDsfHOwA%3D%3D&licu=urn%3Ali%3Acontrol%3Ad_flagship3_profile_view_base-background_details_company

  8. On 10/19/2019 at 7:58 PM, victoria foxton said:

    Loving (May 5, 1994)

    Wow, great sets, great cast, amazing production team; but ABC kept meddling. I never understood why Doug Marland didn't continue to get credit for co creating the show with Aggie. There's a story there.....  Who's the hunk who played the role of Trucker?

  9. Such a shame that the head writer is so awful but when you look at JER (and other head writer) story history, Ron is just following in that tradition. And it all traces back to Corday who must love this crap. Sad really because Days has the best looking, most talented daytime cast and some great script writers.  So much potential wasted.  Brock as Evan....HOT. Freddie is actually cute and tolerable in those scenes this week.  I think Ron's challenging David/Patrick from Schitt's Creek which is a better soap than anything on the air anywhere.  

  10. 6 hours ago, RavenWhitney said:

    Y&R has dumped another "storyline writer" inexperienced, recent college grad and paralegal by trade, Mellinda Hensley.  

    Days would be written by Frances Newman and Jean Ford who are fi core and probably a bunch of interns and sales associates from the nearby  Ross Dress For Less (who would probably do a better job than the current crew). They could always dust off Mark and Dena Higley.  Days can't stop production so scripts would be churned out.  

     

    B&B is run by Brad Bell. If anyone believes he doesn't write the show during the writer's strike Ha!

     

    Y&R: If Josh Griffith hasn't been fired then he'd be the writer along with Michael Conforti James Harmon Brown is also Fi core. And it makes sense they'd bring him on recently given the possibility of a strike and if Griffith's fired this week at the end of his cycle.  

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