I liked the opening, which was less like a soap than a video game cut scene - Carmel slowly waking up and reacting to the horror around her.
This episode was so well-directed and tightly made - it never really stopped. A few times I lost interest thanks to poor acting or clumsy writing, but most of it held my interest and felt like a genuine snapshot into the reactions of emotions of people who have been essentially put under siege.
Using this Keegan character to ghoulishly document the carnage (with a grin on his face the whole time) was unsettling, and a good look into how many people today do see disasters - with voyeurism. Too bad they also had to include the scene of him stealing, with SOC once again overegging the pudding just in case we don't get that he's a bad person.
The scenes on the train with Sylvie/Shirley/Tina were the perfect contrast to everything going on in Walford. They could have seemed like time-fillers or like deterrents to the main drama, but they didn't. It was especially nice to see Shirley, who has so many understandable issues with a mother who treated her like garbage, slowly warming to her over the course of the stop. And as often happens when she gets the right material, LBW gave a lovely performance.
Lauren and Steven arguing over the crash and over Peter after they have been bit players for eons was an odd writing choice, and it just made Lauren look like a complete dumbass (as many people react to events in different ways at first - surely she would know this given the disasters she's seen in Walford) and also made it look like she was using a horrible incident to score points. Bad writing.
This was another of those episodes where Babe was fascinating rather than a tired self-parody - we saw that side of her again where she was clearly doing her best to foment chaos and fear (with Honey and Donna). It was genuinely so gripping to watch - she is just a monster. She feeds on pain and paranoia. I guess Keegan is now taking her place in that department, but I'm not sure it will have the same effect.
Of everyone trying to do "shocked" or "hysterical" acting, I was most impressed with Lacey Turner and Emma Barton, with Emma even making a panic attack (which is so difficult to play) feel natural. Jake Wood was also good.
The hamming from Tilly Keeper and Bonnie Langford spoilt some of the key scenes early on, so I was glad to see them take a backseat in later scenes.
If I was supposed to feel sorry for Kim, I can't yet. It's easy to feel something for a person who almost died, but she wasn't there for Denise when Denise needed her most. I hope Denise keeps her distance for quite a while.
I liked the moments where they were looking for Donna, where Vincent found her but she couldn't move because of her injuries and disability, then her comforting Honey in the Vic. Whoever thought when DTC introduced a character that could easily be dismissed as another Adam Best (a disabled character there to berate other characters), she would become such a likeable and integral part of the markets?
The ending was a bit cheesy but it actually would have worked for me if not for the endless loop of callous behavior from Mick to Lee and thoughtless, selfish behavior from Whitney. Thanks to that I can't bring myself to care about how Mick feels, or if Whitney is dead. If Lee's dead my only reaction will be one last shrug of disappointment at how poorly his story has been handled.