Jump to content

2014


Toups

Recommended Posts

  • Administrator

December 29, 2014

Executive Producer
Bradley Bell

Directed By
Deveney Kelly

Written By
Bradley Bell
Michael Minnis
Rex M. Best

Supervising Producer
Rhonda Friedman

Supervising Producer
Edward Scott

Supervising Producer
Casey Kaspryzk

Producer
Cynthia J. Popp

Producer
Colleen Bell

Producer
Mark Pinciotti

Senior Vice President, Operations
Anthony Ferrari

Vice President, Operations
Ann Willmott

Story Consultant
Patrick Mulcahey

Music Composed By
Jack Allocco
David Kurtz
John Nordstrom

Music Coordinator
Lothar Struff

Casting Director
Christy Dooley

Casting Associate
Sarah Adelle Tirado

Production Coordinators
Erica Ginger
Rachel Herman

Production Office Staff
Matthew Cameron

Assistant to Executive Producer
Jennifer Tartaro

Executive Assistant
Nayeli Gomez

Associate Directors
Steve A. Wacker
Clyde Kaplan
Catherine Sedwick
Jennifer Scott Christenson

Production Assistant
Lori Staffier
Robin Harvey

Chief Financial Officer
Richard Ginger

Legal Consultant
Edward Bardley

Studio Manager
James Tritchler

Production Designer
Jack Forrestel

Art Director
Fabrice Kenwood

Set Decoration
Charlotte Garnell Scheide
Joe Bevacqua

Lighting Directors
Phil Callan
Pat Cunniff

Costume Designer
Glenda Maddox

Assistant Designer
Jennifer Johns

Wardrobe Supervisor
Renee V. Brunson

Costumers
Ross Fuentes
Gina Chapa

Public Relations
Eva Demirjian
Jennifer Mulhall

International Marketing and Distribution
Christine Waage
David Gregg
Shelby Hine

Technical Director
Charles F. Guzzi

Audio
Brian Connell
Aaron Lepley

Cameras
Gordon Sweeney
Dean Lamont
Ted Morales

Video
Scha Jani
Roberto Bosio

Videotape Editors
Brian Bagwell
Anthony Pascarelli
Marc Beruti
Chad Mochrie
Marika Kushel

Boom Operators
David Golba
Tom Luth

Post Production Audio
Jerry Martz
Daniel Lecuna
George Forbes

Makeup
Christine Lai Johnson
Allyson Carey
Toby Lamm
Leilani Baker
Chris Escobosa
Valerie Garrett

Hair
Michele L. Arvizo
Roamine Markus Myers
Adriana Lucio
Brittany Madrigal-Field
Cora Diggins
Maria Elena

Studio Maintainence
Von Wagner

Head Grip
Jack Kidd

[b[Head Prop
Linda Grand

Stage Managers
Laura Yale
Douglas Hayden
Lisa Winther-Huston

Created By
William J. Bell
&
Lee Phillip Bell

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Long ago, this Rachel fan channel uploaded a number of clips of Rachel with Felicia during the alcoholism story, and this one in particular stands out for me. 

      Please register in order to view this content

      And then you have this scene, which is the dark mirror of the above, especially the final moment: By the late '80s, especially after Wallingford's death, those times were gone, and Donna Swajeski added further misery to Felicia with the Gold Street backstory. Luckily, after a bit of time the show found a good framing for this new twist on Felicia. The stories with finding and losing a love from her past, learning that a woman she hated was the daughter she'd spent years searching for, sinking into alcoholism, they all fit into the type of material suited for the '40s and '50s screen goddesses.  When Dano tried some of this old weepy type of material when she went back to ABC, it mostly fell flat, as the atmosphere wasn't the same and her character always felt shoehorned in. It worked perfectly at this period on AW because you had Iris, you had Rachel, you had Donna - you had a number of tough-but-vulnerable women of a certain age, most of them grandmothers by this point, but still trying to find love, find themselves. This is what AW could have had earlier if they hadn't dumped Pat and Alice, but better late than never. This is an approach you saw more often on British soaps than on US soaps, which for a number of years respected women in that age group. Both UK and US soaps have done away with this, both countries having the ladies devolve into perpetual ingenues (with added doses of endlessly self-aware camp in the UK) or just being shipped off entirely.  You could even see that on AW with the treatment of Iris (shipped off, never to be mentioned again, too old to return), Donna (repeatedly humiliated and crippled), Felicia (regressed into degrading herself with married John), Rachel (mother to newborn twins, put into lengthy periods of trauma through her new relationship with Carl). 
    • I'm of a certain age where I caught some of Upton's final year and it was not great but Jean Holloway was worse. All I remember is Bambi, Bambi, Bambi!
    • Yes, of course, all of those servants added to the overall picture at AW & also people had relationships with those servants! I like it when Anita asks after one of the servants at the club, how their children are doing & like that. 
    • Great scenes between Marlena and EJ today. Paula and Jeanne are making EJ have more depth than Ron had during his long drawn out tenure.
    • Might as well say it, Minority opinion, granted, but I like Joss & I'm okay with this WSB story & i hope that Emma will be their next recruit & she & Joss can be partners.
    • Thanks again @Paul Raven  The Arlene/Ben/Betsy triangle is one I wish I could see for myself as on paper it doesn't tend to excite me but I can see how well-constructed it was. I wish I could see the Rick/Meg relationship too, although I wish they'd had him genuinely fall for Meg after he gets together with Cal. The whole Brooke/Deacon/Bridget story on B&B was horribly damaging to Brooke as a character but it was dramatically very sound because I could completely believe Deacon would fall for messy and vulnerable Brooke after finally settling down with the more docile Bridget.
    • Please register in order to view this content

       
    • According to the head writer list, it seems the show may have started to fall apart while either the Schneiders or Upton were writing.  And when it started to crumble, it crumbled fast.  It was sad to see everything Labine had brought to LOL be disassembled.  
    • Please register in order to view this content

       
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy