Jump to content

Telemundo News: Sin Tetas & El Clon


Sylph

Recommended Posts

  • Members

'Sin Tetas' will raise issues, Telemundo says

Don Browne touts novela's social impact

By Paul J. Gough

NEW YORK -- Telemundo executives said Monday that its new primetime novela "Sin Tetas No Hay Paraiso" ("Without Breasts, There Is No Paradise") is intentionally but constructively provocative.

The novela, which begins in June, is a best-seller by Gustavo Bolivar and based on real events. It follows a young woman who flees her home country but finds a whole new set of danger and oppression in her new country including forced surgery. It is, as Telemundo marketed it at its upfront press breakfast Monday, "a story of a good girl who made bad choices to escape a life of poverty."

Network president Don Browne said Monday that the novela features topics that are ripped from the headlines and is of great concern to the community. It's paired with public-service announcements and prosocial campaigns to inspire change.

"It'll cause people to talk about issues that need to be talked about," Browne said. A project based on the same book is also in development at sibling network NBC, though Telemundo is much further along.

"Sin Tetas" is one of five new primetime novelas shown Monday. They also include "Por Que Diablos" ("Why the Devil?"); "Amor de Madre" (A Mother's Love"); "Lola Calamidades" ("Calamity Lola"); and "El Juramento" ("Secret Lies"). The join "El Clon," a novela based on a 2002 movie being produced by Telemundo Studios in Colombia and TV Globo.

Also at its briefing, Telemundo unveiled further details of an effort it's calling "concept integration," which will allow advertisers to get in on the ground floor of program development. The idea is making the rounds of media agencies after presentations earlier this year by ad sales chied Michael Rodriguez and others. It's an advantage that Telemundo has, in that it owns its content, as well as being able to sell the show (and the product placement), internationally.

"It is a very unique position that we're in," Browne said.

Link to comment
Share on other sites

  • Replies 1
  • Created
  • Last Reply
  • Members

Telemundo reincarnates 'El Clon'

Producing a version of the telenovela for the U.S. market

By Steve Brennan

"El Clon," one of the most successful telenovelas of all time, is set for a reincarnation under a deal set to be announced Monday at Telemundo's upfront in New York.

Telemundo has partnered with TV Globo to co-produce the famous Brazilian novella for the U.S. Hispanic market in Spanish.

The agreement is the beginning of a partnership between the two leading global content providers, executives said. The novela will be produced by Telemundo Studios in Colombia and TV Globo will provide the original format, as well as the expertise of the creative and production team that headed the original novela, including screenwriter Gloria Perez and director Jayme Monjardim.

"El Clon," originally produced in Portuguese and dubbed into Spanish for Telemundo and other languages for international broadcasters, first aired in 2002 on Telemundo and became its strongest 10 p.m. property. It also was an international success, selling in more than 90 countries.

Under the agreement, Telemundo will have exclusive broadcast rights for the U.S. and Puerto Rico, and both companies will market the new production through their international sales teams worldwide. The new Spanish version will be pitched this week to international buyers at the L.A. Screenings.

Telemundo president Don Browne and Ricardo Scalamandre, general director for international business at Globo TV, outlined the project.

"It's been an interesting journey," Brown said. "To come to the point of being able to do a project like this with a company like TV Globo is a coming of age in terms of our original content journey. It's extraordinary because 'El Clon' helped to define the value of Telemundo."

"El Clon" is a contemporary story of love and honor that deals with such topics as drug trafficking, cloning and attitudes to Islam. It became the most-watched drama on Brazilian television in its day.

But the new Spanish version might have some tweaks, according to Scalamandre "We are producing based on the original format but specifically for an Hispanic audience and there will be differences. The original plot was in Rio ... now it's in California. The main characters and the main story remain the same but it is to be completely customized for the Spanish market."

Added Browne: "Our original relationship with TV Globo was in terms of acquiring content and they produce just extraordinarily high-quality content. So this sets a benchmark in terms of how far we have come. This is a partnership made in heaven and 'El Clon' is truly a classic."

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • To me, that made no difference. The point stands whether Eva wants to be a Dupree or not. Anita was 110% on top of things. Also it's a logical inference that Eva might be interested in having a place in her supposedly real family. Frankly though I wonder if Eva knows how to feel ... yet. She could really be confused.
    • Does Jack ever dress in drag during that early '00s period where he was trying to get Jennifer back...or does he just fake being gay around then?
    • Here you go, by special request! https://www.instagram.com/p/DJlXDnWJImW/ DAYS 9-26-90 Matt Ashford as Jack Deveraux in drag
    • Concluding 1976... Raymond Schafer arrives in Springfield and begins an extensive probe into Malcolm’s death, puzzling Ed, who wonders why most of Schafer’s question sessions keep turning back to Rita’s involvement with Malcolm. Ed assures the man that Rita’s only connection with Malcolm was as his nurse; he is unaware that Schafer knows a great deal more about Rita than he does. Just to protect Rita, Ed has Mike check on Schafer’s credentials, and learns that he’s a  well-respected criminal attorney. The waitress at the restaurant where Malcolm suffered his stroke tells Schafer that the woman who was with him reacted very professionally to the sudden emergency, as if she were a nurse. Realizing that her little sister has fallen hard for Tim, Rita warns him that she’s very vulnerable and innocent, but Tim tells Rita her advice isn’t necessary. But Tim then receives a plum job offer to be chief neurological resident at a prestigious Philadelphia hospital and can’t pass up the opportunity. Evie is crushed by the news and spends the next several days at home crying. Joe Werner, fully recovered, has accepted a post as a medical aide in a destitute village in India and leaves alone, with Sarah to follow him later. Justin asks Sarah to consider a partnership with him in private practice, but she explains that she thrives on the hospital atmosphere. When a call comes from India that Joe has had another massive attack, Sarah leaves on the next available flight and arrives only moments before he dies. The painful news is relayed back to Cedars at once. Sara returns from India a heartbroken woman, but the day-to-day involvement of raising T.J. and of her career seem to be her salvation. Justin shows a surprisingly compassionate and understanding side to Sara, but, ironically, Justin’s ex-wife, Jackie, arrives in Springfield with her diabetic father, who is suffering from a heart attack. In the process of consulting with Justin on her father’s condition, Jackie comes face to face with Sara for the first time since their college days. Evie’s heartbreak at Tim’s departure turns to fury and hatred when she inadvertently discovers a letter which Tim wrote to Rita just after he left. In it he concedes that Rita was right about Evie’s vulnerability where he was concerned but reminds Rita that he badly hurt her in the same way she feared Evie would suffer. Evie is now sure that Rita somehow forced Tim to leave town and is livid at the idea that Tim was Rita’s lover. She insists she’s cutting off her relationship with Rita and will pay her back for any help she’s received in the past. Ben and Hope’s wedding plans are off, as Ben, while still insisting he’s innocent, won’t explain why the robbery evidence points to him. Hope feels his unwillingness to tell her the truth makes marriage to him impossible, but confides to Ann that she is miserable without him. Ben has echoed these sentiments to Mike but won’t confide in him, either as Hope’s father or as an attorney.   Holly is trying very hard to build a life without Ed, but since she sees him virtually every day at work,she’s unable to put him out of her mind. She accepts a date with a member of the hospital administration staff but is unable to avoid making comparisons between Ed and this young man and winds up alone, sadly holding Ed’s picture and recalling how much she loves him. Believing that the hospital board’s conclusions on Grainger’s death have settled the question once and for all, Rita has regained her self-confidence, and her romance with Ed is growing daily. They admit their love for each other, and Ed confides that he intentionally  held back with Rita for fear of making another mistake. Rita then tells Ed she has never married because for her marriage must be forever. Rita’s mother realizes that Rita is truly in love when she confides in her that she doesn’t understand why she’s been so lucky in having him love her and how she wants to be the very best person she can be for him. Ed proposes marriage to Rita and gives her time to think about it before answering. Rita painfully realizes that her past could, if it rose again against her, make a life with Ed a lost dream. But Raymond Shaefer has been quietly but efficiently carrying on his investigation and has learned that Grainger argued with Rita at her apartment. He presents the evidence he’s compiled to District Attorney Eric Van Gelder, who decides the case warrants further investigation. Rita goes to Ed’s office to tell him she loves him but can’t marry him, that she doesn’t deserve him and “can’t do it to him.” As she turns from a confused Ed to leave, she finds the district attorney and a police officer outside Ed’s door, waiting to arrest her. Ed, insisting that a serious mistake has been made, calls Mike to help her as Rita, shocked and humiliated, is taken under arrest through the hallways of the hospital in which she works. Mike manages Rita’s release on bail only after she has had to submit to the degrading booking procedure. Mike sees her alone at her apartment, explaining he can help her only if she tells him the whole truth. Rita equivocates until Mike mentions Texas, indicating to Rita that he knows at least some of the story. Van Gelder has, in fact, let Mike see the bulk of evidence in the case against Rita, to convince him her arrest wasn’t a capricious whim. Rita explains to Mike that Malcolm believed she intentionally vilified him to his father, to do him out of his rightful inheritance, and then wanted his father dead to collect her money. Mike expresses his appreciation of Rita’s honesty, promising to help her. But Rita’s tormented dreams confirm that she hasn’t yet told all the truth, and after Peggy visits, expressing firm support, Rita tells Roger she has to reveal his part in the story. Roger painfully tells Rita about his being Christina’s father to show her that if Ed knew, it would end Rita’s chances with him forever. Rita, who was ready to tell Ed the whole story, now realizes how risky that would be. Adding to Rita’s pain is her forced leave of absence from the hospital until she’s cleared and the embarrassment of seeing her name in the headlines.
    • Please register in order to view this content

         
    • Yes, but the stories are all pretty awful Seeing Victor rehashing his hatred of the Abbotts  when he married one of them and has a daughter that is half Abbott as well as walking around with Traci's daughter's heart keeping him alive makes him look worse than he already is. And I remember he and Jack chatting amicably in the past few years. Victor interfering in Kyle/Claire is just repeat of Billy/Victoria. Sharon, Nick,Phyllis etc are around but again the stories are lacking.
    • I think Kevin's 1996 Emmy was fair enough. He barely appeared for his second. I don't think anyone else on the list is that deserving but I might have gone with Moore as he did try with the whole Keesha AIDS story. @alwaysAMC Thanks to slick jones' cast list I was able to see that Nikki Rene played Tina. Not much on her, as you mentioned. Tap and a few Broadway listings (it doesn't help that a younger actress with a similar name is in a lot of roles). Nikki Rene: Credits, Bio, News & More | Broadway World https://onceonthisisland.fandom.com/wiki/Nikki_Rene Nikki Rene - IMDb
    • Thank you. That does ring a bell. I remember Theresa and Julian's drunk, giggly fake wedding (with Julian asking "Whassup?" to the minister). Was Bruce tricking the pair as a prank, or did somebody put him up to it? I especially liked Katherine recalling how dashing young Alistair was when he'd pick up Rachel for dates, and how she wished she could be her sister, then feeling guilty once Rachel had her boating accident ...
    • And Kevin Mambo beat Shemar Moore for those two Emmys. I chalk up the wins to the voters not wanting Jonathan Jackson to eventually end up with a five peat (he won 1995, 1998, 1999). These were the 1996 and 1997 Younger Actor races. 1996: Nathan Fillion, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow 1997: Steve Burton, Jonathan Jackson, Kevin Mambo (winner), Shemar Moore, Joshua Morrow
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy