Jump to content

1992


Toups

Recommended Posts

  • Administrator

1992 - One Stormy Night - Primetime Episode

Executive Producer

Ken Corday

Supervising Executive Producer

Al Rabin

Supervising Producer

Tom Langan

Senior Producer

Becky Greenlaw

Story By

Richard J. Allen

Beth Milstein

Maura Penders

Teleplay By

Maura Penders

Directed By

Al Rabin

Associate Producer

Janet Spellman-Rider

Theme by

Charles Albertine

Tommy Boyce

Bobby Hart

Music Composed By

Ken Corday

Marty Davich

Music Director

Marty Davich

Music Supervisors

Amy Burkhard

David Leon

Production Manager

Jeanne Haney

Production Designer

Chip Dox

Art Director

Dan Olexiewicz

Assistant Art Director

Wade Battely

Barry Williams

Property Master

Bob Bateman

Production Associates

David N. Kohn

Assistants to the Producers

Nancy Lewis

Kimberly O'Rourke

Terry Ann Holst

Script Production Coordinator

Anne Marie Cosway

Associate Director

Becky Greenlaw

Stage Managers

Jerry Masterson

Roger W. Inman

Casting by

Doris Sabbagh

Atmosphere Casting By

Linda Poindexter

Costume Design

Richard Bloore

Makeup Artists

Carol Brown

Hairstylists

Zora Sloan

Techinal Directors

J.C. O'Neill

Lighting Director

John Nance

Audio

Frank H. JAckson

Senior Video

Arnold Shapiro

Video Tape Editors

Mason Dickson

Bruce Brinkerhoff

Cameras

Mike Caruso

Les Atkinson

John Sizemore

Keith Lawrence

Lew Friant

Roy Holm

Sound Effects

Tom Kafka

Production Executive

Greg Meng

Executive in Charge of Production

Gary Fogel

A Corday Productions Inc. Presentation

----------------------------------------------------------------------------

August 28, 1992

Starring

MacDonald Carey as Dr. Tom Horton

and

Frances Reid as Alice Horton

Executive Producer

Ken Corday

Co-Executive Producer

Tom Langan

Senior Producer

Becky Greenlaw

Supervising Producer

Francesca James

Written By

Sheri Anderson

Maura Penders

Dena Higley

Ethel M. Brez

Mel Brez

Marlene Clark Poulter

and

Fran Myers

Directed By

Susan Orlikoff Simon

Associate Producer

Janet Spellman-Rider

Theme by

Charles Albertine

Tommy Boyce

Bobby Hart

Music Composed By

Ken Corday

Marty Davich

Music Director

Marty Davich

Music Supervisors

Amy Burkhard

David Leon

Production Manager

Jeanne Haney

Production Designer

Chip Dox

Art Director

Wade Battley

Assistant Art Director

Barry Thomas

Tom Early

Property Master

Bob Bateman

Production Associates

David N. Kohn

Debbie Ware Barrows

Scott Caplener

Assistants to the Producers

Nancy Lewis

Kimberly O'Rourke

Terry Ann Holst

Rick Lorentz

Continuity Coordinator

Joyce Rosenblad

Associate Director

Sheryl Harmon

Stage Managers

Jerry Masterson

Joe Lumer

Casting by

Doris Sabbagh

Casting Assistant

Ronald Sperber

Atmosphere Casting By

Linda Poindexter

Costume Design

Richard Bloore

Makeup Artists

Carol Brown

Hairstylists

Zora Sloan

Techinal Director

Wayne McDonald

Lighting Director

John Nance

Audio

Bruce Bottone

Senior Video

Arnold Shapiro

Video Tape Editors

Mason Dickson

Bruce Brinkerhoff

Cameras

John Sizemore

Lew Friant

Keeth Lawrence

Sound Effects

Tom Kafka

Production Executive

Greg Meng

Executive in Charge of Production

Gary Fogel

A Corday Productions Inc. Presentation

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I love many things about BTG very much. For me, it's greatest strength is how the family relationships are so beautifully written. The deep love between family members while acknowledging each other's flaws--it's SO GOOD.  The best of the best is the two sister relationships: loving but very different sisters Dani and Nicole and adversarial sisters Kat and Eva. These two relationships can anchor the show for many years to come, in my opinion. (The one caveat is that the young and very talented Colby and Ambyr may want to leave the show sooner rather than later, but that's to be expected). My biggest problem with this show is this: Where are the romantic love stories? Where are the star-crossed lovers? Almost every character on this show is married, or in a committed relationship, or just fooling around. Right now the only potential for this are in the Ashley/Andre/Derek and Kat/Tomas/Eva situations. Like a lot of people, I feel the sooner they ditch Ashley and Derek, the better. I hate picking on actors, but the characters are so blah and bland it's like they're a parody of soap characters. I like Andre, and there's some indication they might have him become more serious about Dani, but I don't see that becoming a big love story. I could be wrong. Kat and Eva fighting over a man would be amazing. Over Tomas? No.  I've noticed on social media some people are starting to ship Kat and Jacob. I think that shows how much viewers long for a messy love story. There is much I enjoy about BTG and I have no intention of bailing on it. But over all my many years of watching soap operas, the thing that always got me the most excited about them was the question: "When are those two finally going to get together?"
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 11/26/73-11/30/73 & 12/3/73-12/7/73:

      Please register in order to view this content

    • Please register in order to view this content

        Some initial thoughts.   1) a Who's who back in the day with an assortment of well known performers. 2) Surprised Debra Messing would agree to play a conservative character 3) Not surprised a network didn't pick this up because showing a conservative that is human/likable is a no no in Hollywood LOL
    • Yes from when they went on Let’s Make a Deal too. Pam stole Forrester designs for Jackie M. Of course a month later we saw Nick, Lesley, Owen, and Bridget all exit in the same episode.
    • Great pairing that seemed to come out of the blue! Around that time, it felt like Sheffer/Goutman didn’t really know what to do with Emily or Hal. And KM and BH had surprisingly great chemistry. It was good for Emily especially because she was coming off those unsympathetic years with the Tom affair and then running the Intruder and essentially just being a busybody.
    • I think the issue with Lulu is less the character (which was the issue in the Julie Berman days under Guza II) and more the lack of nuance. The current GH team rarely writes nuance for any character or at least can't sustain it for long, or they reserve it for a favored few. I also think the rooting interest at GH BTS often remains on preferred characters or actors - BLQ/Setton - vs. Laura's kids. So it's easy to make Lulu the heavy if you think Brook Lynn and Chase are the money on this show. I don't, but I think FV does. And that's not to say I think Amanda Setton is bad in the role, or that I would get rid of BLQ. I don't trend towards either (though I do think that if Setton's personal beliefs keep getting in the way of material I would reluctantly recast). I think Brook Lynn is essential to use as a lead presently. But I don't think it needs to be the black and white dichotomy of suffering young matriarch BLQ and aggressor Lulu. While it's good that unlike in the Guza years they can recognize that Lulu can be obnoxious and rash, can be her own worst enemy and that that is part of the character, it can be toned down or given more layers than it has of late. There's nothing wrong there the writing can't fix.
    • 1999: I just watched it. It felt so primetime. La Lucci is making history. Aretha's daydreaming segment. @Contessa Donatella Thank you, my love. So helpful and informative as always. adding them to my queue.
    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy