Jump to content

Paul Raven

Members
  • Posts

    13,600
  • Joined

  • Last visited

Posts posted by Paul Raven

  1. Some Dynasty trivia

    John James tested for Steven ,along with Al Corley and a few other actors.

    The auditions were taped on a set at the General Hospital studio.

    George Peppard upset the Shapiros by rewriting his lines for a presentation film made for ABC bigwigs.

    Also he rewrote scenes in the pilot and instructed Al and Pamela on how to play scenes.

    The Shapiros issued an ultimatum him or them.

    One scene was written for Matthew and Blake to get into a brawl but when John was cast Bo Hopkins wanted it change because it looked wrong to have his character pummeling 'an old man'.

    George may have been off the booze but his trailer was well stocked with 'dolls'

    Dale Robertson upset the shooting schedule one day when he refused to wait around a location for hours to film  the final scene of the day.

    The pilot was supposed to be 2 hr but came to 2 and a half once filming was complete. They expected to have to trim things down but Esther Shapiro decided to write extra scenes and persuaded ABC to go with a then unprecedented 3 hr premiere.

    Initially to save time they contemplated using long shots of Peppard but then realized he would have to be paid for any appearances.

    Entire scenes w/o Peppard were reshot b/c originally local SF actors had been used and they would have to be transported to LA for reshoots. So it was cheaper to do the whole sequence again. Jerry Ayres and Barry Cahill were among the actors hired as replacements.

  2. Some comments from Ralph Senesky director of the pilot and episode 5.

    LAKE CARRINGTON: It is pretty much accepted that the whopping success 2 years earlier of the television series DALLAS had an effect on DYNASTY. Consider a similarity: the unscrupulous J.R. Ewing, an oil baron in Texas of the earlier series, and DYNASTY’s Blake Carrington, an oil baron in Denver. George Peppard, the first Blake Carrington was properly unscrupulous, but he lacked the fascinating evil charm that Larry Hagman brought to his baron. John Forsythe brought power to his baron sans the unscrupulousness

     

    From something I’ve recently learned from an 8-year old television interview by Richard Shapiro, co-creator of DYNASTY, John had brought unexpected positive elements to his characterization of Blake Carrington. In the pilot, in a scene following the wedding of Blake and Krystle, an enraged Walter Lankershim, a wildcatter friend of Matthew Blaisdel, armed with a gun comes to the Carrington mansion because of an accident at their oil derrick.

    In the interview Richard stated, “…and the script says ‘Blake puts the dogs on him’, and John Forsythe said, “I’m not putting any dogs on anyone.” …when we got into the editing room…there was a shot of John standing on the porch and he just moved his eyes to the left and I said “that’s it, that’s the signal”

    I had staged the scene unaware of any of that conversation and unaware of what occurred after I turned in my director’s cut. It was true. John had brought dignity, decency and integrity to his man of power.

    Episode 5

     I was even more certain of what I sensed while directing that episode — the series was changing direction, there was a shift of tone. When I was signed to direct OIL, along with the script I was given the series ‘Bible’, a document with many more pages than were in the 2-hour script. It contained the background history of the story and complete detailed biographical information of all of the leading characters. This was the usual procedure for any project that was a possible series. I had ‘lived with’ the Carringtons for almost 10 months. I felt I knew them intimately and as currently being scripted they were not acting as they had in the pilot. It was as if a new ‘Bible’ had been created for the series.

  3. Beacon Hill was a tremendous gamble at the time. Remember this was 1975 and the likes of Starsky & Hutch and Police Woman was considered standard drama fare.

    I'm sure there were a lot of people at CBS that hated the whole concept and thought it was doomed to fail. Reading b/w the lines it seems they wanted more plot and less character stuff.

    Maybe they should have started it over Summer to iron out the bugs instead of a splashy Fall debut.

    Hill St Blues 5 years later was seen as daring and was low rated but NBC stuck by it. And compared to BH it was way more accessible to network viewers.

    1 minute ago, Khan said:

    David Jacobs said the same thing about his own failed soap, "Berrenger's."  IIRC, he warned NBC that starting off with heavily serialized stories would be a mistake, because the audience didn't know them enough yet to follow them every week. 

    The Saturday timeslot was a problem also. A lot of viewers are not home every week so following a serial can be tricky. Had NBC already decided it was a loser and burned it off in a low rated slot?

    Bottom line -was Berrengers any good?

  4. Who's to blame for `Beacon Hill'?

    Bob Wood doesn't know what went wrong with the season's most ballyhooed new show; the creator blames the producer and vice -versa.

    Robert D. Wood, the president of CBS -TV, is the man who had to make the decision to cancel Beacon Hill, and "I'm sick about it," he says. "With the departure of Beacon Hill, a little bit of me went with it." "I couldn't fault the intention of the series or the production, which was superbly mounted," Mr. Wood goes on. "There was some lint- picking about the writing on the part of some critics, but as far as I'm concerned it was the Tiffany of TV series. And in all my years in the business, I don't remember a series getting as much promotion or as much advance notice in the consumer press. "But the public simply rejected it. Watching the audience decline each week was like watching the rungs of a stepladder going down"

    Mr. Wood says he doesn't want to play Monday morning quarterback on the reasons why Beacon Hill didn't attract a mass audience. "Maybe we were too ambitious," he says. But the creator of Beacon Hill, Sidney Carroll, says it could have survived if the producers had only followed his original plan. As Mr. Carroll explains it, he scripted the two -hour pilot and then wrote out plot outlines for the first 13 episodes of Beacon Hill. He got involved in the production of the pilot and says he was quite satisfied with how it turned out. He cites the episode's 23.1 rating and 42 share (on Monday, Aug. 25, 9 -11 p.m., NYT) as one of the indicators that "the general public liked the people in the pilot."

    But between the completion of the pilot and the start of production on the first episode, according to Mr. Carroll, the producer, Jacqueline Babbin, changed the plot outlines he had written. "When I saw how the first two finished scripts differed from the way I outlined them," he says, "I walked off the series." In Mr. Carroll's eyes, the likeable characters he had created in the pilot were turned into "a lot of stinkers. They became nasty and sad and stupid." Ms. Babbin sees things a little differently. "Sidney's plots were charming little stories that could've filled 20 minutes out of each hour," she says. "But CBS wanted stronger material, stories with more bite, more guts to them."

    Both Ms. Babbin and Alan Wagner, the CBS vice president closest to the series, disagree with Mr. Carroll about the quality of the two hour pilot. "With 19 characters to be introduced, it was like a French farce situation," she says. "The characters ended up being unsympathetic because the viewer wasn't given enough time to understand any of them. And CBS over promoted and ballyhooed the pilot to the point of stupidity."

    "It was really an error on our part to open up with an episode populated with with so many characters," adds Mr. Wagner. "Everything became complicated, the public got confused and you couldn't follow the characters without a scorecard" Mr. Wagner points to a second "major error." "The series didn't find its direction early enough," he says. "The first batch of episodes were placed in too small a frame and were on too small a scale to interest an audience in 1975."

    Ms. Babbin adds that the public didn't know what to make of Beacon Hill's characters because "they were too real - they weren't like the cardboard cut -outs you usually see in TV series, who seem to spend all their time in fast cars."

  5. I guess originally Blake was painted as the villianous character who I assumed a la JR we were going to be fascinated to watch. But unlike JR and later Alexis, there was no mischief in his portrayal so he just came across as unsympathetic.

    John Forsythe had played light comedy way back to Bachelor Father, but there was nothing in the writing or direction for him to lean into that talent.

    Nightime soaps were restricted by having to focus on the same characters season after season and not stray too far from the formula. There was no way Blake was going backburner for a season.

  6. They just want to recycle the whole Victor is omnipotent trope from years gone by.

    To accomplish that everybody else has to look like an idiot and pretend they haven't been screwed over a million times and not learned a thing.

    At least they finally retired Victor v Jack.

    Same with Phyllis. Nobody should trust her to take out the garbage let alone work/scheme or simply be around her.

  7. 39 minutes ago, Franko said:

    I was originally going to object and bring up Jennifer, but she and Jack were more (for lack of a better description) "domestic" than the Big Four couples of the '80s.

    Yes that's why I included 'adventure' in the description. Jack/Jennifer weren't battling spies, travelling to exotic locations or encountering super villians.

  8. One trend that accelerated in the 80's was the decimation of core families/long running characters.

    Part of that was inevitable as  actors aged and characters seemed played out, but there was also a wilfull determination to rid shows of the older tentpole characters.

    Y&R dumped the Fosters and Brooks bar Jill.

    Days said goodbye to a heap of Hortons

    The Bauers disappeared from GL as dd the Matthews from AW

    Steve Audrey and Jessie were virtually extras at GH. SFT had only a few characters from the decade before.

     

     

  9.  

    Week 17

    Dynasty 18.5/27

    Magnum PI 14.8/22

    Gimme A Break 14.6/22/Spitting Image 13.2/20

    That season each of the 3 principals had outside projects airing. Linda's CBS Last Frontier mini-series was a hit but Joan's CBS Monte Carlo mini series and John's ABC TV Movie On Fire were ratings flops.

  10. Anne Howard Baily had a difficult task -Patch/Kayla and Shane/Kim the last 2 big supercouples had been married off, so she had to come up with some stories that kept them frontburner.

    She chose the old presumed dead/amnesia trope for Shane and Kim. and Gideon/Emily for the Johnsons.

    In addition Roman/Diana had ended and Roman needed a new supercoupling.

    And there were no new Bradys or Hortons to be the next adventure based supercouple.

  11. Week 14

    Dynasty not shown-Xmas Day

    Week 15

    Dynasty 13.7/26

    Magnum PI (Rpt) 12.4/23

    Gimme A Break (Rpt)11.1/20/ You Again 9.4/18

    NBC's comedy counterprogramming, after some initial success is now mired in 3rd place.

    CBS move of Magnum paid off.

    Week 16

    Dynasty 18.4/27

    Magnum PI (Rpt) 16.3/24

    Gimme A Break 13.2/20/You Again 12.6/19

    You Again was cancelled. Dynasty showing renewed strength thanks to Magnum repeats. Will it triumph when Magnum goes to new eps? Stay tuned.

     

  12. On 11/1/2023 at 5:48 AM, JAS0N47 said:
    . Deidre Hall (Marlena Black) 17
    *. Lauren Koslow (Kate Brady) 17
    3. Tamara Braun (Ava Vitali) 9
    *. Steve Burton (Harris Michaels) 9
    *. Dan Feuerriegel (EJ DiMera) 9
    *. Stacy Haiduk (Kristen DiMera-4/Susan Banks-5) 9

    So odd to have the first 2 8 eps ahead of #3

    How are they even telling story with most characters averaging less than  2 eps a week?

  13. 2 minutes ago, Khan said:

    Your own niece conspires to have you locked up and have a lookalike take your place so she can get her hands on her inheritance, and you don't even give her a good thrashing after it's all done and over with?  GMAFB.

    Agree -surely there was some story to be mined with Krystal suffering some trauma and lashing out at Sammy Jo-maybe giving in to some (justified) feelings of revenge and launching some plot against her niece. Maybe being Krystal, she ultimately can't follow through but it would allow for some suspense and the chance for Linda Evans to give Krystal a little more range.

  14. Looking at those ratings would have been enough for ABC and producers to panic and make changes.

    At the very least, the massacre should have had a character paralyzed and in a wheelchair for several eps. Mmmm....maybe a temp paralysis that they secretly recover from but keep up the pretence-until another character uncovers the truth and indulges in a little blackmail...

  15. Week 11

    Magnum 18.3/28

    Dynasty 16.7/26

    Gimme A Break 12.1/19 /You Again?11.0/17

    Week 12

    Dynasty 17.2/27

    Magnum PI 16.9/26

    Gimme A Break 13.6/21/ You Again? 13.0/20

    Week 13

    Magnum PI 19.7/29

    A Year in the Life Pt3 17.1/27

    Dynasty 16.7/25

    *Dynasty 3rd in timeslot for the first time this season

×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy