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DEFINITELY skip it. There's nothing in it worth seeing.

While dragging Frank for the Liz/Finn disaster, fans should also drag him for keeping Cyrus around. I'm sorry, but that character should have expired a long time ago. Frank NEVER knows when to get rid of someone.

I hate this annual Halloween stand-alone. As bad as the show is daily, I'd rather see that mess than this hour of nothing. It's just trash.

This fashion show is SO BAD it's actually must-see TV. Total trainwreck television.

Frank deserves to be dragged. Liz and Finn have ZERO chemistry and there is NO ONE who wants them together except Frank. Their scenes are beyond awkward.

That fashion show....just UGH. The room looks like some business's meeting area, not like a place for a fashion show. It all looks so cheap and thrown together. And hey, spend your money on Marie Osmond instead of any of the Forrester kids.

I agree they let her down gently, but as I've said before, they also created a character -- a doctor -- that did not work for this actress. There was nothing about her that said "This girl went to medical school for a decade." They can put a new wig on Theresa every day. That will neveer make EOB a good fit for that role. So far, it's not working, and it feels like an entirely different character.

I agree. I don't think Tracey Bregman has the power to dictate storylines. Maybe you're callous, but you're also right. I'm already sick of that cough and the shot of blood on his handkerchief. Even worse is seeing these "couture" designs he's creating in his living room. THIS is the best collection he's ever done? Those gowns could not be more generic.

I think it is toeing the party line. I like them both, but I also think they had the power to speak out when Alarr was there, even if they didn't name him. Things were bad for A LONG TIME, and it's not like there was a bad couple weeks. These are daytime icons, and they were silent -- and they stayed silent after Alarr was fired. Others with much less agency than they had spoke out. I don't want to punish them, but I'm just not ready to give them flowers for that interview.

EOB is not working as Theresa -- not at all. She's too one-note and hard, without any of Jen Lilley's vulnerability. I don't know if she can do justice to this role, regardless of her acting abilities. It's not her accent (which goes in-and-out for me), but the entire package. It all sounds sweet, but it's all so surface-level. Everything is nice and good, and Janet Drucker cares and is sweet and makes everyone comfortable and brings light to the show. What does any of that mean? They're really saying nothing at all.

I'm just wondering why Amazon Baby Ace looks deathly afraid of Spencer.

Um....what trap have I fallen into?

-- Can writers please top making Laura CLUELESS when it comes to her grandchildren? Her complete shock that Charlotte is a little devil is pathetic. -- I was a huge champion of Sprina, but I'm starting to get over it. Making Amazon Baby Ace the focus of Spencer's life is a choice, and I'm not buying it. Nor am I buying his excuses for Esme while continuing to despise his father. I don't know that I want Trina stuck with him.

I was fine with the Kyle story until yesterday. We AGAIN got a parent/company owner who INSISTS on his kid "starting at the bottom," and that's just ridiculous. Doesn't Victor do this all the time? And what does it even mean??? Jack sided with SUMMER over Kyle when he kept her to run Marchesa and moved Kyle. This made sense? He blames Kyle for making bad decisions, while he makes plenty of his own. Why the hell would Kyle want to start at the bottom??? I can't blame him if he now wants to take down his pathetic father.

BOLD is Absurdity on Steriods. First there's Li's ridiculous attitude about her sister. Even worse is the entire storyline. -- Eric is in a designer battle with Ridge, but we see no designing being done. -- RJ works on the same sketch every day. -- Eric repeats the same lines episode after episode. -- So does Ridge. -- Eric's monologue about the stapler makes his writing worse than the writing for Ridge. -- The doctor makes a house call to Eric and essentially says nothing about his illness or his treatment. -- The music used in Eric scenes is used to hide the terrible scripting and dialogue, and to make us believe this story is in any way a good one.

In no universe is it believable that Mamie would go into business with Tucker McCall. This is vintage Josh Griffith: create a story with tons of potential...and then sink it. This is such sh_it writing that I have no other words for it, and actually makes me angry. I cannot think of even one storyline that Josh Griffith hasn't ruined.

Speaking of Salem exits (Shawn and Talia), it's great that people can leave town so easily -- no packing to do, no apartment to clear. Talia left with one 20" rolling suitcase. I guess all her physician crop tops fit in there.

Great to see RJ working on that same sketch he's been doodling for weeks. I mean, have these writers seen Project Runway? I don't think designs need weeks of sketching and shading before someone gets out a bolt of material.

I'm glad Talia is gone. Others have mentioned how charismatic she is, but I cannot get past the obvious: she in no way seems anything like someone who's a doctor -- one who graduated at the top of her class at Stanford. That is just ludicrous. If DAYS wanted this actress, they needed to rewrite the bible on Talia. Clyde's should have expired long, long ago. I don't even know what to say about him any longer, or about him calling Ava "Mama" over and over. Salem's police dept. hiring practices are evidence of why the entire PD there is such a disaster. And not to be mean, but man, does Steve Burton look rough. He looks like a robot who hasn't eaten for too long.

I like Cody, but yeah, that reason he gave for not wanting Mac to know he is his father was really weak, and didn't make much sense. Because he's not worthy??? How does that change the facts??? I don't think Josh Kelly bought it either. He's usually committed to playing whatever they give him, but I thought he tried to hide a grin through that awful excuse.

-- Is anyone feeling the Deacon/Sheila love affair? There's nothing there -- just two losers bonding over being losers. -- How LAUGHABLE is it to see Brooke judge someone...anyone...for "shacking up" in the office? I mean, you gotta love the sense of humor these writers have. A flat out H O E -- former or not -- has no business commenting on anyone else getting the D, or where she gets it.

I know Frank loves Jeff Korber as an actor, but haven't we seen enough of Cyrus at this point? And no, those scenes with Sister Laura don't make me care about him or their relationship. I agree that what we know about Sonny and Nina's relationship is surface-level, but for me believing they're in love trumps that -- and I do believe they're in love. However, I also think GH is stupid enough to break them apart about 2 hours after they're married. I think that's a much bigger fail than not knowing more insight into their love story.

Yep, you nailed the problem with Susan. It's such lazy writing -- they adjust/contort/define Susan depending on what they need in that particular episode. It doesn't work. Again, this is just laziness. It's not as if the writers have no idea that new, SORASed characters are coming to town. The casting process alone would give them enough time to drop in lines about these characters and what they're up to. It's just another reason daytime soaps are failing and going away. No one takes care of them. No one cares about viewers. It's not as if this is asking for "more," or something that would break the budget.

Are you serious??? I want to ditch that Amazon Baby and his wretched mother. I'd rather go back to seeing kids and babies appear on holidays and birthdays only than to have what we're getting with Esme and Ace.

This pic of Beemer says it all as to how DAYS has misused him since forever.