Uhm, Vanessa had been engaged (very briefly) to Alan, and A-M had dated Dinah. Vanessa was on the canvas when A-M was born. Not to mention, they'd been bitter rivals for the Presidency of Spaulding in '91-'92. So that wouldn't have worked for me.
They obviously threw **** into plots to figure out what to do with him. It's kinda telling that none of that worked, and Vanessa got stuck with her short term fling.
When she was freed of ****, and interacting with the core she'd interacted with for years, yes, she was more Vanessa to me. (I know I make it sound like she's written like an alien at times...lol)
And I totally got the guilt she felt over Dinah. That added to how Henry had continually given her the patience and understanding that she needed, was why she never gave up on Dinah. But **** never really got that. ICAM that ***essa was physical, which got rewritten like Pygmalion, with poetry reading nights explaining what they "really" had in common. RME. Puh-leaze. I can almost picture ****'s lips moving as he tries reading Longfellow or Whitman.
It's funny to me that by the end, they had to do a soft reboot on **** and turned him into Dinah's sounding board to keep him relevant.
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P.J. ·
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