History of Executive Producers and Head Writers
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Its love! -
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Starting this tonight! Got it from the library... along with The Secret History by Donna Tartt. -
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How did you guess that! Yeeeeeeeeeeeeeeeeeeeeeeeeeees. Anita was serving "solo artist" realness the whole time. Stole the show.
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Bye bye Dalton. Unfortunately this is going to fall on Sonny though, when for once he didn’t kill anyone. -
Up to December 7th, 1992.
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"Grief, mental illness... and a handjob." Let's get done with the hardcore drama first... before we continue with the lighter stuff. Bo's condition worsened after the hot psychiatrist gave the risky idea to SHOW him Sarah's body. Dr. Jonas is triggering these people into catastrophes every day. It's almost like he gets pleasure out of this. Well... they did show him Sarah and the result was BAD. Bo went into a crazy meltdown, locked himself with the corpse... and started putting blankets on her to warm her up. Disturbing scene... yet powerful work from Robert S. Woods. Bo's resolve came at the end of December 7th's episode when he let Viki come inside and talk to him. I've chosen this as the clip of the day - anyone who ever underestimates or puts down soap actors, just because they are working in a soap... should see this. And then we'll talk. Very powerful. Viki did what she does best - performed a miracle almost, getting Bo to open up and let the family in. And after that... everyone was looking at her like she is God. The children... Clint himself... everyone standing by the door expecting "savior Viki" to continue being the mother figure they desperately need. But Viki is also a woman. Woman, whose heart is no longer in that house with Clint... She wants to be with Sloan so bad... she has started looking at her husband in a different, colder way. He even came to her bedroom in his robe, probably expecting Viki to invite him in... but he got a chilly response. Alongside Bo's terrifying breakdown... there were some grim events unfolding at Asa's house as well. Dorian and Blair's fighting made Addie become aggressive towards Asa of all people. She attempted to stab him with a pair of scissors. Asa then finally said "ENOUGH IS ENOUGH!". It's either the baby or your sick mother. She must make a choice. What he doesn't realize... is that there is no baby. When he decided to contact Blair's doctor to inquire about her pregnancy... she knew she had to act FAST - likely fake a miscarriage. Jesus Christ, Blair! This leads me to the storyline that consistently disappoints and undermines the overall mood of the show. Just picture having these intense storylines - involving... family, breakups, betrayal, grief, mental illness, and manipulation... and then suddenly, you see Alex giving Mortimer a handjob in the Buchanan Palace restaurant amidst all these other powerful scenes. Some might argue that this is precisely why such moments are there - to dilute the drama and darkness... but the result is far from enjoyable. It turns the entire show into a circus. You can't expect me to be emotional in one scene and then witness Alex reaching into Mortimer's pants... without cringing. It's a bit too abrupt... too early. It ruins everything and makes me despise... despise the characters involved. It's pathetic. Overall - 6.5/10 - it would be a perfect 10 if you removed Alex and Mortimer. But I can't do that and I've decided it's enough giving them (the writers) slack about this. It's annoying, not funny and needs to end. If this was Bold... I would have been tearing them to pieces... but just because they've given me so much good material... I've forgiven idiocy time and time again. I have nothing against handjobs (quite the contrary actually), but I can't see them in the midst of a man crying over a corpse and a mentally ill woman attacking someone with scissors. Clip of the day Viki consoles grieving Bo.Please register in order to view this content
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And every show she leaves is so unstable it takes years to recover, if it recovers at all. Objectively I can say she has a good eye for the look of the shows she is producing, and she knows how to film drama and strive for good acting. I don’t really fault her casting when it comes to new talent, her FOJ’s sometimes fit and sometimes don't though. She also interferes with writers to the detriment of her shows, favors problematic men’s egos on set and gives way less respect to women performers. Her work is often thematically very dark, and misogynistic. Something happened to her a year or so into Guiding Light. The show starts to come unraveled, she basically forced out the writing team that had been bringing the show success. She starts manipulating things like focus groups to get what she wants, and starts building the shows around the men (Buzz as example) and weak women (Lucy). She took over OLTL and tried to fully direct the writing while producing the show. On GH her instincts were so disastrous that they forced Guza/Pratt on her and gave them Associate Producer titles for more money and some agency in the story. And even then, it took until the Brenda return to fully save her ass. And on top of that she is majorly responsible for the show losing Sarah Brown, Amber Tamblyn, Genie Francis, and not securing Vanessa for a longer stay. And now that we know Guza didn’t want to kill Alan off, her fingerprints are all over that one IMO. The only thing I respect about her outside some casting that Mark Teschner brought to her is that she recognized Erika Slezak was too important at OLTL and still too vital to put out to pasture as only the mother of Joey, Jessica, and Kevin, and hand wringing sister of Todd. Emmy’s aren’t everything. Y&R had been number one for decades and truthfully should have been dethroned multiple times but habit and name recogniztion count for something. -
By Paul Raven · Posted
Meg Bennett wrote for Y&R while appearing as Julia. -
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