Jump to content

ARTICLE: ‘The Gates’ Is Under “Accelerated Development” at CBS, Likely As A One-Hour Daytime Drama


Errol

Recommended Posts

  • Webmaster
George Cheeks, CBS, Paramount Global, Paramount+, CBS Television Network, The Gates, #TheGates

More than a week since CBS shocked the entertainment industry with news that it is currently developing the first daytime drama series since the launch of “Passions” nearly 25 years ago, and the network’s first new soap opera since the launch of “The Bold and the Beautiful” in 1987, George Cheeks, president and CEO of CBS and chief content officer for news and sports at Paramount+, recently revealed how “The Gates” came to be and gave some insight on whether the show will be a 30-minute show or one-hour.

In a far-reaching interview with Vulture, Cheeks revealed that “The Gates” is real and that the show is being developed following conversations with Sheila Ducksworth, president of the CBS/NAACP Production Venture, which was established in 2020 to develop content for the CBS Television Network, as well as the ability to sell programming to third-party platforms across the media landscape with an emphasis on producing premium content that expands the number of diverse voices contributing to an ever-evolving society, by telling inclusive stories that increase the visibility and impact of Black artists in a growing media landscape. 

Sheila Ducksworth, CBS, CBS Studios, NAACP, CBS/NAACP Venture, The Gates, #TheGates
Sheila Ducksworth
Courtesy/CBS/NAACP

“When we hired Sheila Ducksworth to run the NAACP venture, she and I had multiple meetings talking about what different genres she was going to lean into, and we talked a lot about daytime,” Cheeks noted, recalling his early discussion with Ducksworth on content she thought would work well for the network as part of her role.

“One of the things that the data made very clear to both of us is that daytime soap operas over index with Black women, and yet when you look at soap operas, it’s usually sort of a white-led family with supporting characters that reflect more of our society,” Cheeks continued. “So we just thought, wouldn’t it be interesting to flip that and make the core anchor family a Black family, and then make the other characters reflect more the broader scope of society?”

So, how did the idea behind “The Gates” come to be, and how did CBS manage to scoop up Michele Val Jean, the award-winning writer who had been rumored to be returning to ABC’s “General Hospital” after exiting as a scriptwriter at “The Bold and the Beautiful” in February? 

The Bold and the Beautiful, The Bold & the Beautiful, Bold and the Beautiful, Bold & the Beautiful, Bold and Beautiful, Bold & Beautiful, B&B, #BoldandBeautiful
Brad Bell, Michele Val Jean
Sean Smith/JPI Studios

“[Sheila] found this great writer, Michele Val Jean, who’s been in the soap opera space for 30 years. She came up with a pitch, and we loved it. We brought Procter & Gamble into it as well, because if there were going to be [product] integrations, we could do it more holistically and organically. All of that is to say, we did a lot of work on the front end to put this together. So while yes, it’s development, it’s accelerated development.”

While Cheeks couldn’t elaborate on when the show might be ready to air, he noted that everyone is behind it and wants to ensure they get things right from the start. “There hasn’t been a new soap opera launch since I can’t even begin to tell you when. But we have great success with ‘Bold and the Beautiful’ and ‘Young and the Restless,’ and so we think we’re the right folks to be launching a new soap. I wish I could tell you more about exact timing, but we’re so focused on getting it right, and that will dictate when we’re ready to launch it.”

Regardless, one detail Cheeks could elaborate on was whether “The Gates” would be a half-hour show or an hour-long series, stating, “It’s been being developed as an hour, but I can’t say for sure. I don’t know yet.”

In March 2020, Cheeks assumed the role of President and Chief Executive Officer of CBS, overseeing CBS-branded assets within Paramount Global, CBS’ parent company, including the CBS Television Network, which encompasses CBS Entertainment, CBS News and CBS Sports, as well as CBS Studios, CBS Stations, CBS Media Ventures, its first-run syndication business, and CBS-branded digital assets. In June 2021, Cheeks added the title of Chief Content Officer, News and Sports, Paramount+, to his portfolio. In this role, he extends the reach of CBS News and CBS Sports content to the streaming service and is responsible for global content strategy for Paramount’s free-to-air networks in the United Kingdom, Australia and Argentina.

As president of CBS/NAACP Venture, Ducksworth supervises the development and production of scripted, unscripted, and documentary content for linear television networks and streaming platforms.

Prior to joining the venture, Ducksworth served as head of scripted television and production for Will Packer Media, where she developed and managed projects produced for broadcast, cable and streaming services. There, Ducksworth oversaw the development and production of “Night School,” a pilot for NBC based on the hit movie, and also served as an executive producer on the Wendy Williams biopic for Lifetime as well as Will Packer Media’s OWN series “Ambitions.”

In addition to writing for “General Hospital,” “The Bold and the Beautiful,” “Santa Barbara,” and “Generations,” Val Jean wrote for “Port Charles,” the short-lived spinoff of “General Hospital.” She also served as a consulting producer on the short-lived OWN (Oprah Winfrey Network) primetime soap “Ambitions,” created by Jamey Giddens (writer, “Days of our Lives”).Val Jean has received 17 Daytime Emmy Award nominations since she began her daytime career in 1989 as a writer for “Generations,” the first daytime drama series to feature a predominantly Black cast, and the series many have already compared “The Gates.” She would go on to win seven Emmys overall, including four from her time at “General Hospital” (1995, 1999, 2003 and 2009) and three from her time at “The Bold and the Beautiful” (2015, 2016 and 2020).



Note: The post ‘The Gates’ Is Under “Accelerated Development” at CBS, Likely As A One-Hour Daytime Drama appeared first on the Soap Opera Network website.

Read More

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Top Posters In This Topic

Popular Days

Top Posters In This Topic

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Unfortunately, your content contains terms that we do not allow. Please edit your content to remove the highlighted words below.
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • Yes!!! Mona feels  like one of my aunts, love the way she carries herself. Loved seeing Eva pop-up at the gambling place.  Monday was all around good soap. Can't remember the last time an entire episode held my interest.  Loving the fallout and reverberations from Ted and Shea-Butter Sheila's affair

      Please register in order to view this content

      . As nice as it would've been to see Anita embrace Eva, I'm glad she didn't because we can squeeze a lot more years of conflict out of Eva, Leslie and the Duprees.   Lauren & Sheila, Viki & Dorian, Katherine & Jill all gave us good conflict for decades. Hopefully this follows suit. I understand the concern. Right now there's an issue of quality of black representation on shows more so than quantity of black shows. I'd like to see more predominantly black sci-fi, legal, political, supernatural or medical dramas over the typical who is sleeping with who. However, this is a soap, and this is what happens on soaps. White soap characters do these things all the time, but have the luxury of being seen as individuals, not representations of their entire race. Husbands/fathers like Todd Manning, Victor Newman and Asa Buchanan cheat, lie and swindle all the time but aren't seen as a commentary on white men. Black characters like Ted and New Dollar Bill should be able to do the same.
    • And that area of the DMV has a high-end glamorous casino the MGM National Harbor. 
    • Even under the new writers, Jamey episodes are the shortest and the weakest A lot of people were unnecessarily clowny and bitchy today. There was a lot of fluff and filler too. And the dialogue was a little… ehhh as well. But welcome back, Kevin! It’s been a long time lol his return still seems really random but I don’t mind it. Philip’s actions make sense to me based on everything that’s happened to him lately and it could possibly set up more tension between him and Xander/Alex. And I wouldn’t mind seeing him and Kevin team up. I thought the actor did a good job too. Too bad that they couldn’t get Robert Benvenisti back though. I didn’t realize it in 2001 but he was hot

      Please register in order to view this content

      And, we got the word that Arianna wants to come home. I’m looking forward to that, and seeing her relationships with Gabi, Marlena, etc. on display and I hope that 

      Please register in order to view this content

      As for Rachel’s birthday party… was Days hinting at something that we’ve been speculating about since EJ was shot?
    • Fireplace in same location in both homes, but Lulu has bookcase instead of door to another room May 13, 2025

      Please register in order to view this content

      ^screengrabs from Video clip of May 13 Lulu/Carly scene at Lulu's house video: https://www.youtube.com/watch?v=z9DtlZ3el6w   April 1, 2015
    • Portugal qualifying was the only shocker. I'm really happy for Iceland. IMO, the automatic finalists – Spain, Switzerland and Italy – had the best performances. I love the studio version of Azerbaijan, but on stage, it was a disaster.

      Please register in order to view this content

    • May 12, 2025: Jordan and Laura meet at Lulu's house.

      Please register in order to view this content

        April 1, 2015 the childhood home of Luke, Bobbie and Pat Spencer Young Luke with his parents. (LW as his mother) Clip from April 1, 2015 which shows more of the set: (Chloe Lanier as Luke's sister Pat) https://www.youtube.com/watch?v=H81KId9qb_I
    • As Blanche once said, "You're feeling magenta."

      Please register in order to view this content

       
    • Robert Benton, Director of Best Picture Winner ‘Kramer vs. Kramer,’ Dies at 92
    • Randomly came across this while on Instagram, but Shelly Burch (Delilah Ralston) and Danielle Harris (Sammi Garretson) are going to be on The Locher Room on May 20 at 7:30 PM EST.

      Please register in order to view this content

    • Randy (Doug's friend who works for Joey) -- Joey told Randy weeks ago that Joey's plan was to get Doug into so much debt that Doug would be forced to get Vanessa's real estate holding turned over to Joey, to use for money-laundering.  That's been the plan all along, which the viewers knew.  The only thing new is that Joey finally told Doug this. I think Joey is written badly.  I also think Jon Lindstrom is doing "Now I am going to act menacing".   But I don't really feel the menace.  It's too overdramatic and it doesn't feel like a real person.  Jon is a fine actor on GH, so I don't know what's happening here -- the entire BTG mobster premise is badly designed/written.  I don't know if Guza pushed for a mobster storyline?  Or did Jon?  (Jon wrote a novel about Hollywood mobsters). It just doesn't fit.  It feels (to me) like this storyline for Jon was just shoved onto the canvas but it doesn't fit all all. Monday's scene of Mona coming into the "casino" to check up on where Leslie supposedly lost money in the slot machines -- and Randy explaining to Mona that there are no slot machines, there is nothing but the card room.  I had to laugh because they had characters comment that it's just a card room and not a casino -- the show is now acknowledging that there's nothing there.  If they are going to do this, then have it make sense for Fairmont Crest residents to visit a high-end glamourous casino, and not a random room with one table. So what money is Joey laundering? A while back, Joey told Vanessa that he knows about her sexual philandering because owns the escort service that she'd been using. But I don't care...  I'd just prefer that the entire mobster storyline go away. 
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy