Jump to content

1988


Toups

Recommended Posts

  • Administrator

January 8, 1988

Created By

William J. Bell

and

Lee Phillip Bell

Directed By

Phyllis Guarnaccia

Written By

William J. Bell

John F. Smith

Meg Bennett

Bradley Bell

Production Consultant

Bill Glenn

Associate Producers

Hope Harmel Smith

Ron Weaver

Director of Business Affairs

Bill Bell, Jr.

Music Composed By

Jack Allocco

David Kurtz

Music Coordinator

Michael Amorosi

Production Assistant

Catherine Sedwick

Casting Director

John Conwell, C.S.A.

Assistant Casting Director

Christy Elaine Dooley

Production Coordinator

Rhonda Friedman

Production Personnel

Cynthia J. Popp

Cameron Loring

Production Accountant

Richard Ginger

Associate Directors

Nancy Eckels

Bob Welsh

Bozena Wasilewski

Production Supervisor

Alan Takiguchi

Art Director

Sy Tomashoff

Set Decorator

Jay Garvin

Costume Designer

David Bangle

Lighting Director

Lauri Moorman

Kim Killingsworth

Tenchincal Director

Chuck Guzzi

Audio

Otto Svoboda

Andy Bass

Jennifer Spangler

Camera

Ted Morales

Mike Glenn

Tracy Lawrence

Paul Sherwood

Toby Brown

Gordon Sweeney

Video

Roberto Bosio

Clive Bassett

Videotape Editor

Frosty Oden

Makeup

Barry Koper

Chris Lai

Sallee White-Smith

Hair

Diana Shinneman

Kathy Weltman

Stage Managers

Shawn Shea Hill

Jim Rice

Jim Tanker

Title Design

Wayne Fitzgerald

Producer

Gail Kobe

Executive Producer

William J. Bell

----------------------------------

April 4, 1988

Created By

William J. Bell

and

Lee Phillip Bell

Directed By

Michael Stich

Written By

William J. Bell

John F. Smith

Meg Bennett

Bradley Bell

Production Consultant

Bill Glenn

Associate Producers

Hope Harmel Smith

Ron Weaver

Director of Business Affairs

Bill Bell, Jr.

Music Composed By

Jack Allocco

David Kurtz

Music Coordinator

Michael Amorosi

Production Assistant

Catherine Sedwick

Cynthia J. Popp

Casting Director

John Conwell, C.S.A.

Assistant Casting Director

Christy Elaine Dooley

Production Coordinator

Rhonda Friedman

Production Personnel

Cameron Loring

Production Accountant

Richard Ginger

Associate Directors

Nancy Eckels

Bob Welsh

Production Supervisor

Alan Takiguchi

Art Director

Sy Tomashoff

Set Decorator

Jay Garvin

Costume Designer

Marty Burke

Lighting Director

Lauri Moorman

Kim Killingsworth

Tenchincal Director

Chuck Guzzi

Audio

Otto Svoboda

Clyde Kaplan

Camera

Ted Morales

Toby Brown

Mike Glenn

Keeth Lawrence

Gordon Sweeney

Video

Roberto Bosio

Clive Bassett

Videotape Editor

Frosty Oden

Makeup

Barry Koper

Chris Lai

Sallee White-Smith

Sandy Reimer

Hair

Diana Shinneman

Kathy Weltman

Stage Managers

Shawn Shea Hill

Jim Rice

Title Design

Wayne Fitzgerald

Producer

Gail Kobe

Executive Producer

William J. Bell

----------------------------------

June 1, 1988

Created By

William J. Bell

and

Lee Phillip Bell

Directed By

John Zak

Associate Producers

Hope Harmel Smith

Ron Weaver

Title Design

Wayne Fitzgerald

Producer

Gail Kobe

Executive Producer

William J. Bell

----------------------------------

July 25, 1988

Created By

William J. Bell

and

Lee Phillip Bell

Directed By

John Sedwick

Associate Producers

Hope Harmel Smith

Ron Weaver

Director of Business Affairs

Bill Bell, Jr.

Music Composed By

Jack Allocco

David Kurtz

Music Coordinator

Michael Amorosi

Production Assistant

Catherine Sedwick

Casting Director

John Conwell, C.S.A.

Assistant Casting Director

Christy Elaine Dooley

Production Coordinator

Rhonda Friedman

Production Personnel

Cynthia J. Popp

Cameron Loring

Production Accountant

Richard Ginger

Associate Directors

Nancy Eckels

Bob Welsh

Production Supervisor

Sue MaCyntyre

Art Director

Sy Tomashoff

Jack Forrestel

Set Decoration

Jay Garvin

Randy Gunderson

Costume Designer

Sandra Bojin

Lighting Director

Lauri Moorman

Kim Killingsworth

Tenchincal Director

Chuck Guzzi

Janice Benoiksen

Audio

Otto Svoboda

Pat Lucatorto

Camera

Ted Morales

Toby Brown

Joe Vicens

Wayne Getchell

Keeth Lawrence

Video

Roberto Bosio

Scha Jani

Videotape Editor

Frosty Oden

Makeup

Barry Koper

Christine G. Lai

Sallee White-Smith

Sandy Reimer

Hair

Diana Shinneman

Kathy Weltman

Stage Managers

Shawn Shea

Doug Quick

Title Design

Wayne Fitzgerald

Producer

Dennis L. Steinmetz

Executive Producers

William J. Bell

and

Lee Phillip Bell

----------------------------------

December 16, 1988

Created By

William J. Bell

and

Lee Phillip Bell

Directed By

John Sedwick

Written By

William J. Bell

John F. Smith

Meg Bennett

Bradley Bell

Associate Producers

Hope Harmel Smith

Ron Weaver

Title Design

Wayne Fitzgerald

Producer

Dennis L. Steinmetz

Executive Producers

William J. Bell

and

Lee Phillip Bell

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
    • I think there is plenty to critique and/or roast about the show, but I think there's also good bones and a lot of progressive improvement. It's the Bell/B&B formula and house style that is hardest for it to shake and the most necessary IMO, as well as some dead weight actors or characters, but that formula also apparently works for a lot of general viewers and I suspect CBS. OTOH it's also very modern in certain ways (sometimes overly hip dialogue, and some story) that still make it feel like a show that's bouncing between distant past staples of soap opera fundamentals and the present moment. And the old fashioned product placement is fun but also so goofy, while material like June is hysterical. Imagine leading with 'the underpass is where I live, and I like it there!' It's an unusual show in that way, because its identity and tone is still not fully formed. You don't know what it'll be. But that's normal at this juncture. The closest thing to a glimpse of the future foundation, I think (besides the obvious core family setup that's been there since Day 1), is the rivalry and future familial bond - and likely love/hate relationship - between Kat and Eva. A la many central sisters or siblings throughout soap history.
    • I loved Kelley Menighan! She was an MVP, especially during the show’s last few years. I always looked forward to anything she did with MM, BH, CZ, MW,  and the two grownup Alisons. Wasn’t a big fan of her with RH’s Paul. I always admired how she balanced being a vixen and being neurotic.
    • LLC can be a lot (lady definitely doesn’t phone it in), but her scenes with Rena made me wish they played actual sisters on a better platform.  Aside from JE, who is a legend so it’s no surprise when she’s excellent, Amanda Setton is my MVP of this story and she hasn’t always been great in this role. You see so much happening in her face as she’s navigating the shifts and layers of this story. She’s fully locked in. Glad Rory Gibson is getting his due on GH. I knew he had more to give than what Y&R was giving him. The writing will be a factor here as well because the character of Michael hasn’t been written well in ages (if ever, arguably). GH just can’t sustain the good stuff for more than a few weeks. Alexa Havins is a very good actress and was widely embraced as Lulu initially, but the character’s one-note abrasiveness has a lot of folks wishing she was gone at this point. 
    • It's pilots like "Hurricane Sam" and "Anything for Love" that makes me so afraid to write professionally, because, my God, what if I actually tried and came up with something just as awful, if not worse (if that's even possible)?
    • JANUARY 1974 SPECIALS ADDED... Here are the January 1974 specials which have been added to the yearly list on page 76:

      Please register in order to view this content

       
    • Wow, you have the patience of a saint watching through this period. I think the show does get better but it takes a while.  I won't give any spoilers about Zachary, but I will drop a slight hint: GL was probably trying to get a ratings boost by doing a story inspired by one of CBS's few primetime hits in the mid-1990s. And no, Zachary does not turn out to be a Texas ranger. 
    • Love makes everything possible.

      Please register in order to view this content

    • Please register in order to view this content

         
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy