Jump to content

1985


Toups

Recommended Posts

  • Administrator

June 25, 1985

Executive Producer

Erwin Nicholson

Producer

Gail Starkey

Written By

Stephanie Braxton

Paul Avila Mayer

Jim Uhls

Nancy Williams

Larry Starkey

Jane Atkins

Directed By

Gregory Lehane

Associate Producer

Catherine Maher

Art Director

Al DeLuca

Assistant Art Director

Armando Cosentino

Casting Director

Whitney Burnett-Voss

Music By

Elliot Lawrence

Costume Deisgner

Bill Kellard

Associate Director

Jim Sayegh

Lighting Director

Randy Nordstrom

Stage Manger

Ann Vettel

Production Assistants

Eileen Furey

Amy Rothlein Brown

Technical Director

William Edwards

Audio

Ed Atchison

Sound Effects

Joe Gallant

Matthew Lagle

Video Engineer

John Valentino

Camera

William Hughes

Arie Hefter

Tom Stallone

Video Editor

Wendy Whitaker

Assistant Video Editor

Tom Bornkamp

Maintenance Engineer

Sal Pitta

Unit Manager

Deborah Devine

Musical Supervisor

Jill Diamond

Musical Director

Rae Kraus

Prop Coordinator

Richie Nelson

Makeup Artist

Joel Mason

Hairdresser

Colleen Callaghan C.H.D.

Wardrobe

Marilyn E. Bishop

Patricia E. Brundage

Scenic Artist

Mark Bachman

Supervising Producer

John Valente

Executive In Charge of Production

Edward Trach

---------------------------------

September 4, 1985

Executive Producer

Erwin Nicholson

Producer

Jean Arley

Written By

Stephanie Braxton

Paul Avila Mayer

Jane Atkins

Gail Starkey & Larry Starkey

Jim Uhls

Gina Wendkos

Nancy Williams

Directed By

Gregory Lehane

Associate Producer

Catherine Maher

Art Director

Al DeLuca

Associate Director

Jim Sayegh

Stage Manger

Ann Vettel

Supervising Producer

John Valente

Executive In Charge of Production

Edward Trach

---------------------------------

1985

Executive Producer

Erwin Nicholson

Producer

Gail Starkey

Written By

Paul Avila Mayer

Stephanie Braxton

Nancy Williams

Neal Thmpson

Ethel M. Brez

Sandra Jennings

Ted Kubiak

Directed By

Gregory Lehane

Associate Producer

Jennifer Reed

Art Director

Al DeLuca

Assistant Art Director

Armando Cosentino

Casting Director

Jim Kramer

Music By

Elliot Lawrence

Costume Deisgner

Bill Kellard

Associate Director

Jim Sayegh

Lighting Director

Randy Nordstrom

Stage Manger

Ann Vettel

Production Assistants

Amy Rothlein Brown

Eileen Furey

Technical Director

William Edwards

Audio

Ed Atchison

Sound Effects

Robert Saxon

Video

John Valentino

Camera

William Hughes

Arie Hefter

Tom Stallone

Video Editor

Irene Joyce Berzak

Assistant Video Editor

Tom Bornkamp

Unit Manager

Deborah Devine

Musical Supervisor

Jill Diamond

Musical Director

Rae Kraus

Prop Coordinator

Richie Nelson

Makeup Artist

Joel Mason

Hairdresser

Colleen Callaghan C.H.D.

Wardrobe

Laurie L. Hudson

Marilyn E. Bishop

Scenic Artist

Mark Bachman

Supervising Producer

John Valente

Executive In Charge of Production

Edward Trach

Furs Furnished By

Decor Furs

Copyright Producer & Gamble Productions, Inc.

1985

All Rights Reserved

Link to comment
Share on other sites

  • Replies 0
  • Created
  • Last Reply

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.



  • Recent Posts

    • I love many things about BTG very much. For me, it's greatest strength is how the family relationships are so beautifully written. The deep love between family members while acknowledging each other's flaws--it's SO GOOD.  The best of the best is the two sister relationships: loving but very different sisters Dani and Nicole and adversarial sisters Kat and Eva. These two relationships can anchor the show for many years to come, in my opinion. (The one caveat is that the young and very talented Colby and Ambyr may want to leave the show sooner rather than later, but that's to be expected). My biggest problem with this show is this: Where are the romantic love stories? Where are the star-crossed lovers? Almost every character on this show is married, or in a committed relationship, or just fooling around. Right now the only potential for this are in the Ashley/Andre/Derek and Kat/Tomas/Eva situations. Like a lot of people, I feel the sooner they ditch Ashley and Derek, the better. I hate picking on actors, but the characters are so blah and bland it's like they're a parody of soap characters. I like Andre, and there's some indication they might have him become more serious about Dani, but I don't see that becoming a big love story. I could be wrong. Kat and Eva fighting over a man would be amazing. Over Tomas? No.  I've noticed on social media some people are starting to ship Kat and Jacob. I think that shows how much viewers long for a messy love story. There is much I enjoy about BTG and I have no intention of bailing on it. But over all my many years of watching soap operas, the thing that always got me the most excited about them was the question: "When are those two finally going to get together?"
    • FROM THE VAULT: WEEKLY DAYTIME NIELSEN RATINGS: WEEKS OF 11/26/73-11/30/73 & 12/3/73-12/7/73:

      Please register in order to view this content

    • Please register in order to view this content

        Some initial thoughts.   1) a Who's who back in the day with an assortment of well known performers. 2) Surprised Debra Messing would agree to play a conservative character 3) Not surprised a network didn't pick this up because showing a conservative that is human/likable is a no no in Hollywood LOL
    • Yes from when they went on Let’s Make a Deal too. Pam stole Forrester designs for Jackie M. Of course a month later we saw Nick, Lesley, Owen, and Bridget all exit in the same episode.
    • Great pairing that seemed to come out of the blue! Around that time, it felt like Sheffer/Goutman didn’t really know what to do with Emily or Hal. And KM and BH had surprisingly great chemistry. It was good for Emily especially because she was coming off those unsympathetic years with the Tom affair and then running the Intruder and essentially just being a busybody.
    • I think the issue with Lulu is less the character (which was the issue in the Julie Berman days under Guza II) and more the lack of nuance. The current GH team rarely writes nuance for any character or at least can't sustain it for long, or they reserve it for a favored few. I also think the rooting interest at GH BTS often remains on preferred characters or actors - BLQ/Setton - vs. Laura's kids. So it's easy to make Lulu the heavy if you think Brook Lynn and Chase are the money on this show. I don't, but I think FV does. And that's not to say I think Amanda Setton is bad in the role, or that I would get rid of BLQ. I don't trend towards either (though I do think that if Setton's personal beliefs keep getting in the way of material I would reluctantly recast). I think Brook Lynn is essential to use as a lead presently. But I don't think it needs to be the black and white dichotomy of suffering young matriarch BLQ and aggressor Lulu. While it's good that unlike in the Guza years they can recognize that Lulu can be obnoxious and rash, can be her own worst enemy and that that is part of the character, it can be toned down or given more layers than it has of late. There's nothing wrong there the writing can't fix.
    • 1999: I just watched it. It felt so primetime. La Lucci is making history. Aretha's daydreaming segment. @Contessa Donatella Thank you, my love. So helpful and informative as always. adding them to my queue.
    • I know this isn’t a usual or anywhere near universal take, but I loved the relatively brief Hal/Emily relationship/marriage more than I ever thought I would have with KMH/BH.
    • In my field (not that) I've written my share of dreck when it's what people wanted vs. something good. In the end what matters is the check. These pilots may not be great, but whether or not those writers intended otherwise they got paid.
×
×
  • Create New...

Important Information

By using this site, you agree to our Terms of Use and Privacy Policy