Everything posted by trainman
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Y&R: Old Articles
I'm sure everyone had their personal favorite storylines they followed back in the day, and whatever they weren't interested in probably got the ol' VCR pause button. Clips are exactly what they are ... "Clips". Lol I see in '83 clip "031b" we have some high drama with Dina at the Abbotts and then Nikki at Victor's funeral. I also see what was probably the last scenes of Stuart Brooks, as he and Liz head out for the cemetery on Memorial Day. Somebody correct me if I'm wrong, but I don't recall seeing him after the Memorial Day '83 episode. EDIT: Victor's funeral, not wedding.
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Y&R to air classic episodes
I wouldn't be surprised if they shut down again due to the virus. There may be more classics on the horizon (though only some are truly classics to me).
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Y&R: Old Articles
I liked it, and enjoyed the climax to the story at the "ranch". One similar story I didn't like as well though was the Tyrone Jackson / Mr. Anthony story, where Tyrone was posing as a white guy by using make-up to infiltrate the syndicate. Really?... That story kind of "jumped the shark" I felt.
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Y&R: Old Articles
Those were the first Abbott house scenes (where Mamie was calling Jack as "Mister Jack"), which I never recall her saying again, and the first Terry / Jerry scenes. Also, Robert Lawrence eventually moved into the Prentiss house after Lance was gone. I remember some mention of it on the show, where he had bought the place from them. It underwent a very slight remodel (windows, paint, stain, and furnishings mostly). There are some scenes of it in the '82 clips. I don't know where that put Lucas. Maybe in the apartment above Jonas'.
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Y&R: Old Articles
Lilibet Stern was very likable as Patty. Andrea Evans, not so much. As for Hadley not being on contract, I think he actually was a number of times, but it was always "on again, off again". To be fair, he probably wasn't always needed around too much when the law enforcement element wasn't a part of a particular story. As for the most recent "crazy Patty" story, they tried to bring Carolyn Conwell back (Doug Davidson personally asked her to), but she was well into retirement by then, and refused. So, they did what they could with the family, and most of the actors just kind of ran their course. I miss seeing the Williams house set in particular. It was so middle class and relatable.
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Y&R: Old Articles
I always felt they should have brought him back at least one more time to do better justice to the amnesia storyline, rather than just dropping it the way they did and have him go back to "Ruthie" in Norfolk. He's done a few little acting jobs here and there in other productions post-Y&R amnesia storyline. Currently at 89, I don't have high hopes we'll ever see him again, like we did with Liz for a few final scenes when they killed off her character, but who knows.
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They were clearly a Victor & Nikki & Lorie fan. Probably didn't care much for certain other story elements, which eats up a lot of tape. Much as I'd like to see Jack & Patti's wedding among other things now, I'll take what I can get. Lol ...oh, and I love hearing all of the old background music cues again. That really takes me back!
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Y&R: Old Articles
It may have been wandering, but things developed at a fast pace, which I liked and was refreshing to see, rather than just plod along for years as some of the stories before and after that time frame have. Between 1979 and 1983 would include some of my favorite stories, with Suzanne Lynch, Derek Thurston, creepy Edward, Vanessa, Michael Scott in Victor's basement, Pete Walker and the mob, Rick Daros, Lorie getting back Prentiss Industries, the family transitions, Patti shooting Jack, Tony DiSalvo, Nikki's baby drama, Eve Howard poisoning Victor, the list goes on.
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Y&R: Old Articles
Once Nikki entered Victor's life, that part of the show suddenly resembled the 1964 movie "My Fair Lady", where the wealthy Henry Higgins had a jolly English friend (Colonel Hugh Pickering) who was mostly along for the ride on his rich friend's coattails, and together, the two of them conspired to turn Audrey Hepburn's low-class character (Eliza Doolittle) into a refined socialite. I had often wondered if one or both of the Bell's were fans of that movie.
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