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LondonScribe

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  1. Having watched the first 2 episodes of the new series, it is definitely ‘sunshine and light’ to the ‘darkness and seriousness’ of Chibnall-Whittaker and co.

    The recognition and deference to Disney is very obvious, with a focus on the younger viewer and musical interludes.

    If I can enjoy it then great, but I don’t feel I’m who the show is aimed at. 

    Gatwa and Gibson were very well together and the former’s charisma is off the scale.

  2. I have to remind myself that Rudolph Walker is 84 years old and he’s still relatively energetic and sprightly (to the extent that he did that mad dash to catch up with Yolande when she first returned) and I shouldn’t do this but then to compare him to other people younger than him with less spring than him.

  3. 4 hours ago, MichaelGL said:

    Looks like the UK soaps are making the same mistakes as the American soap have made; recycling producers. 

    By and large, the ITV soaps have this standard pathway. Wherever a producer comes from (Iain MacLeod, for example, has his roots in Hollyoaks), they land on Emmerdale as showrunner, and will invariably move over to Coronation Street.

    Kieran Roberts, Steve November (previously Frost), Stuart Blackburn, Kate Oates, Iain MacLeod, etc

    A few, namely Phil Collinson, did not follow that path.

  4. It’s the first American soap I truly fell in love with, so I’ll always back it to exist, and I’m happy it will continue to do so, even though I don’t watch it right now.

    However, from the perspective of someone who remembers what it was, I wish the powers that be would re-examine Josh Griffith. It looks like the show is very much his, top to bottom, and as much as I want to jump back on, I fear it’ll hurt to see what it is.

  5. Just watched today’s Knight-focussed episode of Eastenders.

    Wow We.

    One of the most nuanced and true-to-life expirations of racism as was, and as is. 

    It might not chime with everyone (indeed I’m waiting for some in the media to invoke the ‘w-word’) but I found it very thought-provoking.

  6. 2 hours ago, John said:

    Not saying there won't be exits but if there are do them gradually. Don't do something dumb like putting them all on a bus that goes over a cliff. I am more into defined characters, romance & family dramas.

    I don’t think there are many current U.S-based producers or writers who would go down the U.K. route of just writing a load of characters at once.

    Case in point, this stunt killed off 6 characters in one go (though one died 2 episodes later for the drama):

    The same producer then axed about 8 characters in the space of a week and a half on Family Affairs in 2003.

    Then about 11 characters over a 2-3 week period I believe in Hollyoaks years later in 2010.

     

  7. I’ll admit, I know little about Patrick Mulcahey, as he hasn’t written for the shows I watched or certainly at the point I watched them, but I’ve heard nothing but really good things about him and his work.

    So this level of cautious excitement is fascinating to me.

    Now I know how you all felt when I came armed with information and warnings about Mal Young and his previous work in the U.K. when he joined Y&R 🤣

    Of course this is much more positive and  I look forward to seeing how this plays out, however long it lasts for.

  8. 3 hours ago, MichaelGL said:

    Sucks that he gets a promotion even though he's a complete and total hack. I just hope this means that with him being moved to a higher position, that we will get a new EP for Coronation Street, sort of like how they have Kate Oates over BBC dramatic programming, but Chris Clenshaw is the EP of EastEnders. 

    I’m guessing ITV has now modelled his new role and structure on BBC’s Soap and Drama department, so he’d basically be doing what Kate Oates does.

    I don’t watch enough of Coronation Street to make my own subjective judgement, but enough people say that his stewardship of the show has led to uninspiring output that there must be something to it.

  9. 2 minutes ago, Manny said:

    Oh was she back only for a limited time? For some reason I thought she was back full time..

    This time around, she’s back permanently, though I think I read somewhere that her schedule didn’t work out for that week.

  10. On 1/1/2024 at 7:03 PM, I Am A Swede said:

    Emmerdale, early 1994, those last few precious months B.D.  (Before Dingle)  Little did we know about the horror that would soon arrive and infect this show beyond salvation.

    Ah that 1994 period after Phil Redmond’s ‘parachuted in’ period was over and Nicholas Prosser was left to retool the show out of the rubble.

    Then Mervyn Watson came in and established the Dingles as a core family. And the show has never looked back, neither moved forward, it seems.

  11. I watched the episode and I won’t spoil anything for people in this thread, but let’s just say that it’s clear that Chris Chibnall has left the building, and more pertinently, it’s VERY clear that Russell T. Davies is back.

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