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Entering April and... ...GOOOD this show reeks of propping. I cannot with the loops the writers are writing in to keep Peter around, Why is Dr. O who has went toe to toe in hand combat with Anna...IN A MASK TO BOOT or Carly who has pulled every trick in the book or even Maxie who has fake a pregancy and used to be the crafty schemer herself so scared of this nothing burger of weaksauce son of a GH villain I like? Uh...NO!!! Yeah, that scene of Cameron picking on Jake was a bad one. WL has done better. That said, I do like there is family conflict in Liz's family. Those boys have gotten along for too long. So is the next event we are building up to is the opening of Curtis's club? There is enough story building going on at least to have things happen. I am just sadden that a month ago, there was momentum going on and climaxes and it fell flat in two weeks. -
I am shocked at you. LVP is cohosting that new dog show with Rebel Wilson, has VPD still in the works, and at least has one more project in the works I believe if memory serves. And VPR is still in the air...especially now that Kandi is about to start filming that OLG spinoff show. It's why I had to post that tweet. No matter how things go, LVP STAYS hustling. Kyle could NEVER. And Andy Cokehead's ratings are not much better at times so Twitter can stay pressed. Please register in order to view this content
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I suppose the premise of “LGBTQ” as this hodgepodge community is what I’m questioning. That one letter of the acronym is interchangeable with the other. I understand it from a political coalition standpoint—strength in numbers—and there’s certainly been overlap in term of cultural spaces, but for the most part, the only thing these letters have in common is that they transgress commonly accepted ideas of gender roles and identities. EDIT: I know they aren’t discrete, mutually exclusive groups. Trans people can be gay, lesbian, bi, etc. as well. But in general I agree. Soaps are broadcast TV vehicles and have to be as broadly appealing and narratively nimble as possible. It’s why streaming services (or smaller cable networks) that can nurture niche-oriented content are so groundbreaking. A gay-male soap on Netflix or Hulu wouldn’t have to cater to a mass audience and could take more risks. -
By FrenchBug82 · Posted
Well on the other hand, if the logic is the community is very broad and diverse so you can't represent it in its diversity, the notion that all that is needed is that there would be *some* representation takes precedence hence the logic here. We also have, frustrated as we may be, to understand the tough spot they are in. If they have budget for thirty contract players and the number of pairings LGBTQ character can have is necessarily limited, LGBT character have a lower return-on-investment in terms of story for a producer. So expecting every strand of LGBT being represented is setting the bar unrealistically high. -
I totally agree. The season is forced and overproduced. TBH I feel like RPDR has been trending this way for several seasons, although COVID may have exacerbated this particular season’s issues. Usually the charisma (and uniqueness, etc.) of the queens would save the show, but it’s just not there this year. Even folks I enjoy like Symone would be middling queens in any other season.
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A QAF reboot with today’s Davies at the helm? Ugh it better not turn out to be a Cucumber 2.0 🥴· 0 replies
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