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About dc11786

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  • Birthday 11/07/1986
  1. So Katy and Bill are still around. This episode worked a bit better for me. While I didn't like the musical cue, I thought the opening with the Carousel Building was an effective shot and more than we would get today in a world where the camera doesn't seem to move much. Edward Mallory was a bit over the top in some of those scenes and the actress playing Katy appears very mature for the young ingénue role. The Katy/Bill scenes do seem to clear up the very messy first episode we see. The show was definitely leading the audience into a mystery regarding whether it was Grace or Stan who was poisoning Dana. I guess the back and forth in that episode was intended to be suspenseful.
  2. The Marlers definitely had untapped potential, but the Marler children were still young and Holly and Blake were both off contract for a good part of the final years. If they could have gotten to a point with the Marler kids as teens in stories and they used Holly and Blake in more functional roles, I'd agree. Prior to Phillip's death, I felt the Spauldings were in fairly good shape up until the early days of Wheeler and Kriezman. The loss of Phillip really hurt the Spaulding family. Neither Gus nor Alan-Michael seemed to be able to fill the hole that Phillip left, IMO. Jenna had caught Holly in the act doing one of her Nursery Rhyme Stalker crimes. At some point, Jeffrey shows up. Jenna pleads with Holly; she (Jenna) says she doesn't care what Holly has done, but she needs Holly to stay with her. Jeffrey throws Holly out and then kidnaps Jenna. I don't recall Holly telling anyone about Jeffrey and Jenna. It seemed in bad taste to have Holly allow Jenna to go off with Jeffrey when she saw how scared Jenna was of the man.
  3. I can see why people liked Kyle and Sam. The early stages of their romance is very well done. Rutherford grew so much as an actress in such a short period of time. I think the writers did a good job fleshing out Kyle. I think the show also did a good job giving Sam significant reason to be attracted to both men: Kyle is strong, charismatic, and loves her because she of her passion for life while Jordan is suave, rich, and has lived a life of loneliness that Sam can relate to. George Shannon does a good job to avoid coming off as too creepy. I truly believe that Jordan's interest in her is not just sexual, but maybe I'm a fool. It was nice to see Robert Wilson (ex-Channing, Jr, SB and ex-Chase, SFT) and Pat Tallman (who previous appeared as one of Jason's lingerie models during the Leather and Lace storyline) as Brad and Christy Russell. It's a shame that the show recasts Christy and goes in a completely different direction with those characters. There's also a lot of nice overlap in terms of story. The introduction of Hale hotel has taken a lot of random story threads and given them a place to bump into each other. I didn't care for George Deloy as the put upon professor, but I do like him in this brief clips where he defends and empathizes with Dr. Daniel Reubens (who I think has just begun to appear, these clips are from January 1990). The Jessica-Sam rivalry gives both women are strong sparring partner. The insinuations about Jessica being one of Jordan's abandoned flames was interesting. The Hale Hotel uniforms must have kept the cost of costumes down. I think my favorite bit is Kyle and Sam reuniting to "Here and Now." I've only shipped a few couples in my soap viewing, but I could see why the (few) viewers watching loved Kyle and Sam. It's funny to hear people talking about Sally Sussman Morina's work on Y&R because this material is so strong, but the earlier stuff has a lot of trademarks of the complaints I'm hearing now. Did SSM return to Y&R after GENERATIONS was cancelled? When she was trying to write a Chicago version of Y&R, it didn't work. This faster paced, more comical, more romantic storytelling is definitely more in line with what NBC was looking for during that time period.
  4. 1. Regarding Michelle, I don't think Wheeler would have hired anyone with any background in soap opera. I didn't hate Nancy St. Alban the way some did, but, if you were to have the Bauers as a major dramatic force, another actress would have been needed. If I had to choose someone, I would have wanted someone like Robyn Griggs (ex-Maggie, AW). 3. Typical of the Wheeler era, needing characters to make a story have dramatic impact, but not casting someone. Again, I liked Driscoll, but I wonder what it would have been like if they had cast him as Jonathan rather than allowing Pelphrey to sign on for only two years. 4. I just didn't see the dramatic potential in Olivia / Frank. Your point is noted, but I can't see Olivia being satisfied with Frank. To a lesser extent, Olivia had that with Bill, a genuinely good guy who put her first, . Frank was more blue-collar than her typical guy, but Olivia was drawn to power. I think I would have less problems with Olivia and Natalia if Olivia had fallen for some powerful businesswoman who was looking to take on Olivia in the boardroom and the bedroom. 5. I think Manny had run its course, but I would have liked to see them work together as a divorced couple to raise their children. I thought the potential of an affair between Blake and Danny was fascinating and would have reinvigorated someone like Blake. I really liked Tony and Michelle as an obstacle for Danny and Michelle, but I would have liked to see the writers try other things with both characters before reuniting them as a couple. 6. Keeping Reva and Josh front and center without Marah, Shayne, Jonathan, and Sandy was foolish. Instead, the show decided it needed to be the Jonathan show. 7. I'm aware of DAYS' budget, but I think the shows used their money differently in terms of contractual guarantees and recurring cast members. Brown was on DAYS during a period where very few recurring players were used and contractual guarantees were low (Matt Ashford, anyone?) The show couldn't afford to keep Jerry ver Dorn under contract, but they really had the money for Sarah Brown? Also, when Brown agreed to do DAYS, only four soaps were left (well AMC and OLTL were cancelled but hadn't aired their final episodes yet). 8. I liked Edmund and Cassie because of what he had done to Cassie. I think these two damaged people trying to overcome what Edmund had done to Cassie specifically was fascinating. I think juxtaposing Cassie / Edmund and Jonathan / Tammy would have enhanced both stories because of Edmund's role in Jonathan's abandonment and the death of Cassie and Richard's child. I felt the Lara angle was an attempt to reestablish Edmund as the heavy in the story, but it lacked impacted because no one knew Lara.
  5. I think this is the episode. The first one is a bizarre episode. To me, it was similar to the "Never Too Young" one from the same time period where Joy is nearly raped and spends the entire episode playing cards. I imagine this was a big 'reveal' episode in that, before this, the audience wasn't sure what was going on with Dana Manning. The problem is there are still too many questions (mainly who are any of these characters) for a show that featured three characters for an entire half-hour. The Eric / Jan / Stan stuff in the second episode reminds me not only of the PB story with Duke Spaulding and Rosita Martinez, but of the episode of "A Time for Us" where Steve Reynolds seeks his father's advice regarding Jane Driscoll's pregnancy. Eric's cavalier playboy attitude is the complete opposite of sensitive, responsible Steve who just wants to do the right thing even though he doesn't know what that is. I did notice all the Katy references. In the first episode, she and Bill are at the door (unseen). So it sounds like Katy and Bill are still around, still have story, but seem to be working together to solve the Dana Manning mystery rather than dealing with romantic complications of their own. The Jan / Eric stuff plays out until the show's last episode. In the final weeks, Eric leaves for the Army and Jan learns she is pregnant. In the finale, Jan decides she is going to raise the baby.
  6. By the time Hurst arrived, it didn't really matter. The show had already transitioned to the Peapack model. When Grant Alexander returned and Coop died, I tried to watch the show, and the show was horribly produced. Not only did it look bad, but I remember they were playing some overly upbeat melody as Buzz snotted all of over Coop's dead body. And Coop and Beth's affair? WTF? When Hurst was promoted, the show at least had some sense of plotting. I don't remember Kriezman including much plot into his stories. I agree that the Coopers were my least favorite family, but they were the only whole family around for most of the final decade without needing to build them up. I think Kriezman tried early on to make the Bauers work with continuing the Michelle amnesia angle, having Beth and Rick fall into an affair, and attempting to bring back Ed Bauer for the Sebastian/Santa Domingo plot. Wheeler needed to support him more by hiring an actor to play, recasting Michelle with a stronger dramatic actress, and finding someone age appropriate for Paul Anthony Stewart. I came in on the tail end of Jenna and Buzz when Holly was terrorizing the mothers of Springfield and Jeffrey had returned. People blamed Lillian for Mo's death, but Holly was downright liable for Jenna's. Driscoll was a nice actor, but I never cared for Coop. I thought the romance with Lizzie was a waste of time. Frank was fine until they decided that Olivia should share Frank and Buzz. To go from men like Bill and Josh Lewis and Alan and Phillip Spaulding to Frank and Buzz Cooper. Yikes! GusH was as bad as Manny, if not worse. What they put Robert Newman and Kim Zimmer through those last couple of years was criminal. Reva and Jeffrey, Josh the priest, Josh and Cassie. So many bad ideas, one after another, after another. But someone needed to be an ongoing nemesis in the Jonathan and Tammy saga. Who better than Tammy's own mother? GL couldn't afford Sarah Brown unless she agreed to be paid in Bible scriptures. I think plopping Nola down without either build up would have been equally disastrous. I think there would need to have been build up of the Bauers first or bringing in Bridget via either Dylan or Peter would have been necessary. Otherwise, Stacey's main ties would be to Nancy St. Alban's Michelle (if she was even still around) or Company. I liked Edmund when he was given darker material to play. I actually liked Edmund and Cassie as a couple, but I think they would have eventually run their course and I would have then dumped Edmund. I thought make him the heavy in the Shayne / Marina / Mallet / Dinah Lee story was more convenient than well thought out.
  7. I believe WoST ran an episode from the same time period. In circulation, there are five concurrent episodes. This episode and the WoST one, which was different, are from this set. In the other episode, Jan Elliott is talking to her boyfriend about the War and Grace Allison (or whoever the maid character is) has a lengthy monologue about wanting to be Mrs. Stan Manning once his wife is dead. "Morning Star" was a Ted Corday show so sharing cues with "Days" is not surprising. Regarding radio, I just noticed Betty Lou Gerson, a Chicago radio actress, was in the cast. Around this time, the show dumped the original headwriters and installed James Lipton, but NBC axed both this and "Paradise Bay" fairly quickly into the new writers runs. These episodes should be from the final weeks of the original writers. I wonder if Lipton considered this a dry run for "The Best of Everything." With that said, I know Lipton isn't well liked, for various legitimate and status quo reasons, but I'd still be curous to see some of the later run. Or maybe this is Lipton's work. I think, but never have completely confirmed, that the show dumped Elizabeth Perry's Katy Elliott around this time. Keith Andes quit "Paradise Bay" in March, 1966, and last aired in April because of the proposed changes (more 'melodrama' and less 'social relevance.') I've read Nina Roman's character, Liz, took center stage. It'll be curious to see if the poster uploads more "Morning Star" and if there is any additional reference to Katy.
  8. I have been slowly making my way through "Generations" episodes that I've gotten. I don't think Barbara Rhoades is as 'dramatic' as she is in that commercial, but there are issues with Jessica in those early episodes that go beyond Rhoades interpretation. As most know, Jessica' father, Hugh, died in the opening episode leading to an inheritance plot that goes nowhere until about August 1989. This is a recurring issue in the early episodes of "Generations"; something will be introduced, but only be discussed for episodes on end (Ruth talks about buying the Whitmore house in episode 2 or 3, but she doesn't purchase it until November and there is little conflict in between.) Anyway, Jessica, fresh from rehab, arrives in Chicago to deal with the funeral and to learn her son, Hugh Gardner II, has inherited the family fortune. Again, this plot point is discussed every now and again, but no real effort is made to find him for several weeks. Rhoades' Jessica fits in well in a very well intention story structure. As a houseguest of Trevor and Laura McCallum, Jessica is in contact with Laura (her childhood friend), JD (Laura's down on his luck rock star brother), and Trevor (Laura's successful husband). Each relationship is well developed and its clear the early plan was an affair between Jessica and Trevor, which would force Laura to divorce Trevor and see how Laura handle the circumstances that her mother was dealt with when Peter Whitmore ran off on her. The problem is nothing really pops. Jessica and Laura revisiting their childhood friendship is a nice layer, but its hard to see Rhoades' Jessica pursuing Massett's Trevor while on the wagon. Maybe the plan was for Jessica to fall off again and, for Trevor, while attempting to play savior, to fall into a passionate affair with Jessica. If that was the case, none of that played out. Instead, the show plays Jessica's alcoholism as a secret (it could ruin her career!) and allow Trevor in on only to have Jessica have a surprise hook up with fellow addict Rob Donnelly. I believe I'm missing the episode where Rob and Jessica first meet, but it comes out of almost nowhere. Rhoades spends a lot of her time with Gerard Prendergast's JD Whitmore, Laura's rock star brother. JD is trying to reunite his band, Men of Essence, but needs the money to finance their new album. Enter Jessica- the 'heiress' who JD grew up pining for. JD and Jessica have some sweet moments: JD provides Jessica with a picture of her EP to through darts at, but there is little build. JD is given little to do outside of his relationship with Jessica, which doesn't progress very far. JD and Jessica split when Trevor realizes JD wants Jessica to finance his new album even though JD admits to Laura he has very real feelings for Jessica. Most of the time, though, Jessica is waiting to learn whether or not she will return to her role on "Tomorrow is Another Day." So Rhoades is only occasionally given significant beats to play, but when she does, she does well. One smaller moment that stood out was Jessica and Laura chatting about the graduation party thrown for the younger set at the fancy upscale Le Charmare (sp?). Jessica notes the interaction between Laura and Ruth Marshall and Jessica states that Ruth has avoided the typical pitfalls of the nouveau riche by patterning herself off of Laura, which by itself is an interesting comparison. I think Rhoades worked better when Jessica was in a world that intended to be more drawing room drama than crazy aunts jumping out of airplanes.
  9. It's posted on IMDb, but I know people can edit that. This article mentions him, but it appears that the source is IMDb, also. Southern BG Casting claims to be handling the casting of extras for the pilot of Dynasty. The dates coincide with the dates of the filming Dynasty. In a post dated March 8 on their Facebook page, it says: Looking for: Male Caucasian stand in height 5'11 weight 160-180 ages 25-45 brunette for actor James Mackay. Please look him up before submitting. Need like type. Must have open availability between March 21- April 3rd. Rate 140/12 Subject: Steven I'm sorry if people I was misleading.
  10. I believe it has been relocated to Atlanta, where they will be filming. Alan Dale has been cast as Anders according to Deadline. James Mackay has been cast as Steven Carrington. I haven't seen a formal announcement, but the casting company working on the show states they are looking yo cast a fill-in for James Mackay in the role of Steven.
  11. Dinah Lee traveled to Pine Valley in September/October 1992. Earlier in 1992, Dinah Lee had been involved with Clay Alden, but he learned his father was the hired hand and not Cabot Alden so he skipped town. When Clay did return in the fall, he wanted nothing to do with her. Dinah Lee went on a downward spiral. She received a letter saying she had previously slept with someone who has an STD, got drunk and naked at the opening of the Maple Street complex (the home of the ghost story), and pretty much bottomed out. I think she left Corinth to settle down and stay at Myrtle's, where she ran into Carter Jones, an old friend. In Corinth, Carter meet up with Ally Rescott, another beautiful blonde, and agreed to take her to the dance being held at AU. Trevor chased Carter down, but ended up pulling over Shana along the way. They bantered about being happy they weren't married to the other. I believe Ally was kidnapped by Carter (was she also held captive in the belfry?) and possibly saved by Casey. I believe Jeremy Hunter also came to help on the case and was then offered a position at AU. The previous year, Jeremy and Ceara had visited Kate at the boarding house and became involved with Matt, the young man Ally was dating who was accused of rape. In 1993, when Dinah Lee married Curtis, I believe Myrtle showed up for the wedding.
  12. A typical mixed blessing. http://www.ccma.cat/tv3/alacarta/riviera/riviera-capitol-1/video/5543454/ All 260 episodes of Riviera, in Catalan. It's interesting to see Addie Walsh was credited as head writer for the show's entire run. Her team also included familiar names like Jeff Ryder, Peter Brash, and Patrick Tovatt (I didn't realize he had written anything). The opening episode is worth trying. The introductory sequence reminds me of the highly stylized British soaps Russell T. Davies did in the mid to late 1990s, while the overall aesthetic is heavily influenced by the American glamour soaps of the 1980s (Santa Barbara, Capitol). I've watched the first seven out of curiosity. Some of it seems to have some movement (the tension between perfume manufacturer Laurent de Courcey and his playboy son Christopher), some over the top (Clara Marques' desperate pursuit of Beatrice de Courcey), while other parts muddled and hard to understand because of language (basically anything happening involving police officer Daniel Lambert, his blushing bride Ghislaine, and Daniel's sullen mother Marguerite). I'd love to hear what anyone else thinks.
  13. Interesting possibility, especially since (avoiding the racial element) that is what Nixon did with the Rescotts and the Aldens. Cabot's father had cheated the Sowolsky family out of some product that the Alden family used to make their fortune (it had something to do with canned foods I believe). Anyway, when Cabot came back from the dead, he felt sorry for what his family had done and turned the company over to Ava. This was an interesting development because I imagine it was intended to cause major conflict in Ava and Alex's marriage with Ava claiming her birthright and Alex's sympathies lying with his other family, the Aldens. Laurie McCarthy and Addie Walsh quickly wrapped the story up and had Ava give back the company, if I recall correctly. Some other (final) random notes I don’t think Janie knew Buck was her father. They did bond before she died, and I think she wished he had been a father figure to her. Janie’s mother, Pam Dawson, did appear after Janie’s death. There use to be clips online. Trisha’s September 1995 return was precipitated by a phone call from Jeff Hartman. He phoned to announce that Trisha has suffered a miscarriage which caused her to break with the Crystal Hartman identity and search for her past. Trisha left in March/April 1993. Trisha and Trucker had just remarried the previous November and the show brought on Buck Huston, Trucker’s half-brother by his father’s other family, to Corinth. Buck was a pilot who had done some shady deals in the Middle East and had been caught in a triangle with Tess Wilder Partou and Curtis Alden. When Curtis and Tess left the Middle East, Buck had been the one to fly them out. Anyway, Trisha was carjacked and presumed dead, but stumbled into a diner, used the name Crystal, and took work as a waitress. At the same time, Jeff Hartman was released from the mental hospital. Jeff stumbled into the diner, found Trisha and tried to get her to go to the Aldens. When he phoned the Aldens, no one answered; everyone was attending Trisha’s funeral. Jeff told Trisha of his plans to go to Rome and Trisha/Crystal went with him. I think Jack was a more complicated character than written, or maybe portrayed. Jack wasn’t a biological Alden, but he was still the golden boy compared to others in his generation (Curtis and Lorna). I wonder if that insider/outsider element was played in the Rick/Jack rivalry, Rick an Alden by birth raised by adopted parents and Jack adopted by the Aldens. A Rick / Curtis rivalry could have been interesting too with one brother who practically raised himself and another raised without ever wanting for anything. As a side note, Gwyn gave up Rick because her father (later reconned to stepfather) was a minister and Rick was conceived out of wedlock. Rick proved a delightful moment in the Alex/Clay story. Rick claimed Gwyn and Clay/Alex were his parents, but the blood test showed it wasn’t possible. I like that Jack didn’t stay with Ava just because she had his child. That was a nice twist given the fact that the baby wasn’t Jack’s. I thought the Alex / Jack vs. Clay set up for the cosmetics company was also good. Overall, I just don’t think they ever really did enough digging with Jack’s psychological makeup to make him a compelling. Similarly, I think Stacey might have had similar issues. One of the EPs in the 1990s was honest and said Perry Stephens was boring and replaced him with Christopher Cass. I don’t think this was the right move. The ties to the original story were so weak as it was, but eliminating Stephens was a mistake especially since Cass certainly wasn’t more compelling. All Cass as Jack did was some business stories (maybe the face cream that burned Isabelle?) and Dinahlee’s seduction of Jack, which failed. In July 1992, Jack disappeared while boating with Stacey. Clay had just learned he was not Cabot Alden’s son, but Tim Sullivan’s. He planned on ruining the Alden family. When he returned in the fall, Clay set out to takeover AE, which meant marrying Stacey for her AE stock. To trick Clay into marriage, Clay used holograms of Stacey to drive her insane. Once Stacey was in Dunellyn (I think that was the name of the psychiatric hospital), Stacey and Clay married. Eventually, Jeremy was able to prove that Clay was behind the holograms. Stacey and Jeremy both grieved the loss of their spouses. In the summer of 1994, Deborah blackmailed Clay into marriage with evidence of the Cradle Foundation, a group that was paying to take care of someone who was believed to be dead. Cooper was certain it was Jack and ran to Stacey and told her Jack was alive. Of course, it turned out to be Cabot Alden, but I believe others may have been alive as well. This should sound familiar to modern AMC fans. Anyway, the show always seemed to toy with the idea Jack was alive, but Loving had a bad history of only having characters presumed dead in order to potentially reactivate story later starting with Roger Forbes. That ghost story was filler. It was the product of the period where Haidee Granger was flying solo without a headwriter. Staige Prince (Eden Atwood) was the head of the sorority that Ally pledged. She also dated Kent Winslow (Roger Howarth). After Howarth departed, Staige stuck around as a part of the younger set in a supporting capacity. Her bitchy character was mellowed. At one point, I believe Staige lost her money. She was dropped before Steffi arrived.
  14. Regarding Minnie Madden, Carla and Sadie, and Janie Sinclaire. I think there are some elements of the story we should consider. I think Vee is right that Nixon intended to have Sadie in the Rescott family circle. I heard from someone years ago that the original intention was to reveal that Ava was the product of an affair Kate Rescott had with a black man, and that Ava would learn that she was in fact biracial. I imagine Nixon wanted to tie Carla Hall into that story as it would have been a powerful continuation of Carla’s own narrative to have Carla help another ambitious young woman come to terms with her race. Pure fan wank, but, by placing Carla in Corinth circa 1986, the show could have gone a different route with Lorna / Zach Conway story by involving Zach and Carla or even reshaping the Rob Carpenter character into a ward of Carla’s. Also, Janie Sinclaire seems to be a chance to tell a bit of the original Ava Rescott narrative in the sense she seemed to be intended to be an African American social climber. Janie was initially involved with a criminal who kidnapped Angie Hubbard when she was sick and needed a transplant. Angie was held hostage and bonded with Janie, who she could tell had been abused in the past. When the situation was over, Janie followed Angie back to Corinth. In Corinth, Janie immediately became involved in a couple of different stories: she pretended to be Clay Alden’s lover/secret daughter in order to extort money from Cooper (who wanted to know the secret Deborah had used to blackmail Clay into marriage); when Janie was exposed, she had some tense moments with Frankie Hubbard; and Janie became involved with Buck Huston who was beginning to look for his daughter. Janie showed real potential to be an African American Erica Kane, but the show disposed of her in a plane crash. I believe the original plan was to kill off a pregnant Dinahlee, but, at last minute, they decided to go with Janie. This fulfilled Uncle Harry’s prediction from the “Ava Goes to Heaven” story earlier in the year. Jumping back to Curtis for a bit. Ava did run Burnell’s in the 90s. Originally, Burnells was a part of Alden Enterprises as far back as 1984. In 1992, Addie Walsh revived the store and built a mystery around Ava and her secret boss. Around the start of the story, Walsh was dumped and EP Haidee Granger dictated story until Robert Guza and Millee Taggert arrived in the fall. Granger created Leo Burnell, an old high school pal of Ava’s who wanted to romance her. Based on history and story potential, Curtis Alden was originally intended to return in 1992 as the mystery boss who would seduce Ava. Curtis did return under Guza and Taggert in February, 1993, and was paired with Dinahlee, when she was on the outs with Curtis’ father Clay. Initially, the couple was drawn to the 1950s culture, which is why Curtis suggest they watch “Roman Holiday” in 1994 episodes. The problem was Noelle Beck left in March, 1993, neither actor hired during Taggert’s run was successful as Curtis. The show dumped Curtis in August, 1993, by having the character torch PINS! (the bowling alley that Dinahlee operated) leaving Louie Slavinksi trapped inside in one of Bernard Barrows final performances. In December, Nixon returned and we learned that Dante Partou (Tess’ Middle Eastern ex-husband) was keeping Curtis trapped in a cage. Nixon plotted the Dinahlee/Curtis/Trucker storyline with some interesting strokes. To keep Trucker and Dinahlee apart, Curtis began leaving little signs around the Tides, Trucker and Trisha’s home, to indicate that Trisha was alive. Of course, the truth was Trisha was alive, but Curtis was unaware of this. When the truth came out in June, 1994, Curtis has a huge fight with Gwyn, who was tired of Curtis’ games. For the rest of Curtis’ time on Loving, he was fighting with mental demons. They were exacerbated by the presence of the two Jeremys and later Curtis was the initial suspect in the Loving murders because he and Stacey were suppose to have a date the night Stacey was murdered. Jessica Collins left as Dinahlee in August/September 1994. Elizabeth Mitchell appeared right away in September dealing with Dinahlee’s miscarriage. In January, 1995, Trucker has Trisha’s grave exhumed and then goes to Rome to learn the truth (which I believe happens offscreen). Dinahlee delivers the news about Trisha wanting to stay in Rome and Trucker not returning (February/March 1995). Dinahlee sticks around a little longer to reveal that she is pregnant again and going to track down Trucker. I believe they did a nice send off between Dinahlee and Ava. I believe there was even a moment where Ava and Stacey bonded because neither had their best friend in town anymore. Looking over DRW50’s Curtis synopsis, I’m reminded of a few things. I believe Buck was suppose to fly the plane solo to wherever its destination was. Curtis had rigged it so it wouldn’t fly, but it did, and Buck took Janie and Dinahlee with him. When Marcantel’s year was up, they did drop him to recurring, which didn’t make people happy. I’m not sure when he returned to contract or if he was off contract when her was murdered.